Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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7 years, 6 months ago

the clarity of the world in books inspo/interiority inspo/war why/read

The five-minute warning bell had rung. I sat with my ankles on the railing reading a novel about the Second World War. I should have used the time to do my homework, but the appeal of Nazis, K rations, and sunlight slanting through the forest while men attempted to kill one another was too great. …

—p.143 Stop-Time Elsinore, 1953 (250) by Frank Conroy
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7 years, 6 months ago

I believed I was intelligent inspo/interiority

I believed I was intelligent. For a long time that thought had been important to me. At the school I felt for the first time that my intelligence was worth something to someone else besides myself. Here was a huge organization, an immense, powerful world existing for the inmate, but existing for me…

—p.62 White Days and Red Nights (45) by Frank Conroy
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7 years, 6 months ago

we are always alone with our own mortality advice/living inspo/criticism

There is a passage in the work of the contemporary novelist Dorothy Allison which may help explain what I have in mind. Towards the beginning of a remarkable essay called 'Believing in Literature', Allison says that 'literature, and my own dream of writing, has shaped my own system of belief - a ki…

—p.161 Philosophy and Social Hope Religious Faith, Intellectual Responsibility and Romance (148) by Richard M. Rorty
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7 years, 6 months ago

ecstasy's power lies in its wordlessness advice/living inspo/criticism

This essay on the loss of grace in tennis speaks then to the passing of a writer's first ecstatic access to creation. Wallace mourns the loss and maps a paradox that would become the seed idea of later work. The paradox is that although we need to live in peaks, these hypostatic highs of sex, succe…

—p.654 The David Foster Wallace Reader Afterword by Mark Costello (654) by Mark Costello
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7 years, 6 months ago

the nearest thing to life why/read

[...] George Eliot, in her essay on German realism, put it like this: 'The greatest benefit we owe to the artist, whether painter, poet, or novelist, is the extension of our sympathies ... Art is the nearest thing to life; it is a mode of amplifying experience and extending our contact with our fel…

—p.129 How Fiction Works Sympathy and Complexity (128) by James Wood