Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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5 months, 3 weeks ago

to stand in front of Gauguin’s Are You Jealous?

My doubts about conceptual art had been seeded in me during my senior year. Was newness the point of art? Experimentation? Cleverness? Shock? Was it the artist’s duty to rush ahead of humanity and report back from the future? If there was an advance guard, were we at war? Who was the enemy? But my …

—p.89 Consent: A Memoir by Jill Ciment
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5 months, 3 weeks ago

she assumed she only imagined it

Later, she would remember asking the man who answered if his wife would be home, and then listening to a convoluted story about divorce and custody that struck her as more tiresome than suspicious, yet she caught a whiff of something that alarmed her, like the scent of a nearby fire. A moment later…

—p.71 by Jill Ciment
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5 months, 3 weeks ago

he showed me who I might become

There was a small canvas on the wall, an unimposing size, maybe a square foot. I was the subject matter. He had rendered me naked, in profile, sitting on the edge of our bed, looking over my shoulder at the observer. I had never before seen myself from his point of view.

The girl in the painting…

—p.57 by Jill Ciment
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5 months, 3 weeks ago

abstract painting was in

The late ’50s were America’s economic boom years. The Red Scare had all but saturated Hollywood. The stars and screenwriters and art directors who had once bought his art were blacklisted. The polemics of social realism were not only out of fashion; they were dangerous. Abstract painting was in. Ar…

—p.53 by Jill Ciment
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5 months, 3 weeks ago

he painted and drew with a superhuman intensity

He began what he believed were his most important paintings to date, the War Series, inspired by the photographs of the concentration camp survivors taken only minutes after they had been liberated. When he first showed his father the photographs in LIFE magazine just after the war, his father spen…

—p.52 by Jill Ciment