belie
Brecht's disorientation before the revolt of the proletariat that belied (realized) his politics
Brecht's disorientation before the revolt of the proletariat that belied (realized) his politics
Adorno's essays were not so much a Marxist defence of modernism as the expression of a distinctively modernist Marxism: his positions were, mutatis mutandis, those of modernist ideology itself
Adorno was right to point to the epistemological aporia of realist aesthetic theory
Adorno's recourse to tendentious terms such as 'the people's community'
Summary condemnation of the actual insurgency of the working-class was combined with ouvrierist exultation of its in-dwelling virtues
footnote 1, on Brecht