Clouzot's Odette occupies a liminal space, trapped between the pure and perverse
[...] In Malle's black-and-white world, animated by the haunting strains of Erik Satie's score, Ronet's Alain Leroy is a lost cause, a narcissist with no hope of growing up. Malle claims,
It wasn't really the suicide that interested me, but how a man reflects on his youth and realizes, in the …
These interstices where Wallace scholarship can find something like the new voices we are being told it so desperately needs?
A recurrent situationist theme: the idea of 'the vacation' as a sort of loop of alienation and domination, a symbol of the false promises of modern life, a notion that as CLUB MED--A CHEAP HOLIDAY IN OTHER PEOPLE'S MISERY would become graffiti in Paris in May 1968, and then, it seemed, turned into …
