Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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5 years, 5 months ago

no one is allowed to kill me twice inspo/revelation

I went home and cried on K.’s shoulder. It was both of us who pooled resources together to do what we could for my dad. For months, K. had been dipping his hand into his pocket for the man who almost made us impossible, the man who would hate him on sight. It was somewhere in that breakdown that I …

—p.109 The Paris Review Issue 234 Good Boy (99) by The Paris Review
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5 years, 5 months ago

a mind that’s wider than the sky

[...] I’m not the kind of guy who believes in hell, or in a god who imagines a lake of fire. I just can’t see it—you have a mind that’s wider than the sky and that is what you use it to picture? [...]

—p.100 Good Boy (99) by The Paris Review
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5 years, 5 months ago

a genuine belief that she could transcend the words why/write

VILA-MATAS

I fully recognize myself in it! Today I know that the best thing about that whole experience was getting to know Duras. I arrived in Paris tired of “normal people,” and tired, too, of all the prim, proper writers that proliferated at the time—not to mention these days, today there are…

—p.79 The Art of Fiction No. 247 (62) by The Paris Review
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5 years, 5 months ago

the connection between poetry and the novel

INTERVIEWER

So what, for you, is this connection between poetry and the novel? A quality of vision?

VILA-MATAS

Probably. That quality comes from some writers’ facility for what we might call perception, the art of perceiving what’s going to happen. It’s a skill, an art, that we see very ac…

—p.76 The Art of Fiction No. 247 (62) by The Paris Review
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5 years, 5 months ago

traduce

Yes, because it doesn’t traduce who I am.

in response to Q: Do you still recognize yourself in that first novel you wrote?

—p.75 The Art of Fiction No. 247 (62) by The Paris Review
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