Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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3 years, 1 month ago

that other man was perfect

We talked into the night, at first about Dede, then also about Elsa and Imma, finally everything: politics, literature, the books I was writing, the newspaper articles, a new essay he was working on. We hadn’t talked so much for a long time. He teased me good-humoredly for always taking, in his vie…

—p.394 The Story of the Lost Child (The Neapolitan Novels, #4) by Elena Ferrante
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3 years, 1 month ago

he shouted insults at the corpse

They crossed the switching yard and walked along the old tracks where disused cars had been abandoned. In one of them they found Rino. He was seated, his eyes were open. His nose seemed enormous, his unshaved beard, still black, covered his face, up to the cheekbones, like an overgrown plant. Stefa…

—p.357 by Elena Ferrante
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3 years, 1 month ago

she wanted everything and pretended to want nothing

I tried to ignore her but it was difficult. Imma, as I’ve said, had always worried me a little, and even when she stood up well to Tina’s vivacity she still seemed to lack something. Also, some time earlier I had recognized in her features of mine that I didn’t like. She was submissive, she gave in…

—p.320 by Elena Ferrante
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3 years, 1 month ago

shapeless banality of things

We sat down at the kitchen table, while Tina and Imma chattered softly, moving dolls, horses, and carriages around the floor. Lila took out a lot of papers, her notes, also two notebooks with stained red covers. I immediately leafed through these with interest: graph-paper pages written in the call…

—p.310 by Elena Ferrante
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3 years, 1 month ago

the decision to live in the neighborhood

“No, to produce ideas you don’t have to be a saint. And anyway there are very few true intellectuals. The mass of the educated spend their lives commenting lazily on the ideas of others. They engage their best energies in sadistic practices against every possible rival.”

“Then why are you with t…

—p.268 by Elena Ferrante