Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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3 years, 1 month ago

ultimately that’s why capitalism will win

So, there’s a lineage, isn’t there, I think, from those first two commercials into the Louise Mensch position. There’s a narrative behind it, which is a story about desire. These protesters have the products of advanced capitalism, therefore… it’s not only that they’re hypocrites, it’s that they do…

—p.39 Postcapitalist Desire: The Final Lectures Lecture One: What is Postcapitalism? (35) by Mark Fisher
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3 years, 1 month ago

collective joy is a superficial salve

In late 2017, for instance, “Acid Communism” was taken up in the UK by a soft left contingent directly linked to the Labour Party, who attempted to further embolden a resurgent democratic socialism by combining it with an entwined rave-hippie nostalgia, even going so far as to call for a re-engagem…

—p.30 Introduction: No More Miserable Monday Mornings (1) by Matt Colquhuon
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3 years, 1 month ago

history is the story of our own becoming

For Lukács, this is to say that human history is distinct from natural history. Our history is ideologically affected by our position in the present; geological history — foregoing presently contentious debates around the so-called “anthropocene” — is not. The events of human history — our wars, ou…

—p.27 Introduction: No More Miserable Monday Mornings (1) by Matt Colquhuon
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3 years, 1 month ago

how this crisis might be overcome

It was with this in mind that accelerationism — a term coined by Benjamin Noys in his 2010 critique of post-May 1968 Continental philosophy, The Persistence of the Negative — was later seized upon by Mark Fisher and, perversely, affirmed. Noys’ book was, by and large, a critique of how Continenta…

—p.23 Introduction: No More Miserable Monday Mornings (1) by Matt Colquhuon
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3 years, 1 month ago

fuck your middle-class propriety

The jobseeker rejects the moralised figure of the downtrodden and out of luck. It is the inverse of a figure like Daniel Blake, as seen in Ken Loach’s critically acclaimed 2016 film I, Daniel Blake. Rather than raising consciousness through sympathy, depicting, through a fiction, the abject reality…

—p.21 Introduction: No More Miserable Monday Mornings (1) by Matt Colquhuon