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Amazing. That is indeed forty. It is as if Apatow had a camera in my house when I was that age. Even though I know I did not get the scene verbatim, it’s a testament to the power of the writing (and the performances of Ruddmann, as I have dubbed Paul Rudd and Leslie Mann, so organic and believabl…

"I’ll have a whisker,” I say.

“Whisker?”

“Whiskey?”

“Scotch, rye…?”

Now he is impatient to get back to Tsai.

“Um, rye,” I say, because I heard somewhere it is a thing now.

“Brand?”

“You choose,” I say and immediately feel it comes across as coquettish, something a girl might sa…

Like a party favor, a thought pops into my head: My daughter coming home from school. She is, what, twelve or eleven. I don’t know. She wants to be with me, and I’m working, watching Talfan’s Dysgu i gi Bach Gachu backward. It is one of the most significant films in all of Welsh cinema, and that is…

So this will not be a novelization. A novelization is a lesser thing. Just as the book is always better than the movie (with the exception of Truffaut’s one decent film, Tirez sur le Pianiste [1960]), the movie is always better than the novelization. There must be a term for what I am about to do. …

“The chair is hard. I feel it pressing into my buttock bones. The room is dark, musty. I feel anxiety. I want this movie to be great. I want it to change my life, both in the watching and in the eventual heralding. If it’s terrible, I have gained nothing. I am where I was. Worse off because time ha…