Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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2 years, 10 months ago

older yet is the sentiment of this painting advice/living topic/love

Chen spoke first. He changed the direction of the conversation. “The work of the revolution is a life devoted to the people, that is to say, the public. It’s a public life. A man’s private life, one’s deep interior, must at times be forgotten or sacrificed.”

The young man shifted. We shifted too…

—p.61 I Hotel 1968: Eye Hotel (1) by Karen Tei Yamashita
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2 years, 10 months ago

honey, you need five million sinologists inspo/self-deprecation

Edmund’s going to have to make some choices. Five hundred academic sinologists can sign off on a letter, tell Taiwan what for and so on about how to run its business, but in the end, what does it mean? You can’t stir up a pot with five hundred sinologists. Honey, you need five million sinologists.

—p.55 1968: Eye Hotel (1) by Karen Tei Yamashita
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2 years, 10 months ago

Holiday Inn? Holiday Out!

10.1 Edmund angrily paced Professor Chen’s library in Marin overlooking the Golden Gate, reading the cruel history of celestials in America. He wrote his manifesto in the newspaper and called for a new organization: Chinese for Affirmative Action. Paul Lin said, “Remember when you were always worki…

—p.44 1968: Eye Hotel (1) by Karen Tei Yamashita
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2 years, 10 months ago

to see oneself in another inspo/interiority topic/everybody-else

8.3 Edmund hung around the Il Piccolo coffee house, where he met the lost Chinatown kids he recognized to be like himself: fresh off the boat but with nothing to show for it, and no pop to bless their arrival in America with a break-your-legs warning. To see oneself in another is to learn both fate…

—p.43 1968: Eye Hotel (1) by Karen Tei Yamashita
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2 years, 10 months ago

he knew Valéry in Paris

They walked down Montgomery to Washington and stared at a parking lot. “Remember what I said about the Monkey Block? It used to be right here. There was a huge building, four stories, occupied most of the block. Your father lived here. It’s where he painted his best work. Where he met his friends. …

—p.27 1968: Eye Hotel (1) by Karen Tei Yamashita