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[...] 'And actually, when I leave you I ask myself if I really do deserve such total disapproval? You exaggerate so, Molly. You talk as if I'm some sort of Bluebeard. I've had half a dozen unimportant affairs. So do most of the men I know who have been married any length of time. Their wives don't …

He had already filled his lungs to let out the peremptory yell they both expected

[...] The history of these two was as follows: They had met in 1935. Molly was deeply involved with the cause of Republican Spain. Richard was also. (But, as Molly would remark, on those occasions when he spoke of this as a regrettable lapse into political exoticism on his part: Who wasn't in those…

[...] At last I understood that the way over, or through this dilemma, the unease at writing about "petty personal problems" was to recognise that nothing is personal, in the sense that it is uniquely one's own. Writing about oneself, one is writing about others, since your problems, pains, pleasur…

The theme of "the artist" had to relate to another, subjectivity. When I began writing there was pressure on writers not to be "subjective." This pressure began inside communist movements, as a development of the social literary criticism developed in Russia [...] It spread fast eerywhere, finding …