Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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2 years, 8 months ago

by overcoming vanity and desire

The story is about jealousy. Tolstoy cursed women, fashion, music—all the bewitchments of social life. The one thing he fails to mention is that inner peace is not to be achieved by changes in social order, or by changing the means of production, but by ourselves alone. How? By overcoming vanity an…

—p.167 Portraits of a Marriage by Sándor Márai
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2 years, 8 months ago

she wants to lodge the spore of desire

[...] But I am no longer jealous. Do you understand me? Do you believe me? Look at me. No, old man, I am no longer jealous, because—at considerable cost—I overcame that vanity. Tolstoy still believed in some kind of balm for it, so he assigned to women a role that is half animal; they should give b…

—p.166 by Sándor Márai
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2 years, 8 months ago

there’s no escape from sexual tension

Look around you. There’s no escape from sexual tension: it’s there in literature, in paintings, on the stage, and out in the street … Go into a theater. There are men and women sitting in the auditorium watching men and women conspiring onstage, chatting, making promises, and taking vows. The audie…

—p.165 by Sándor Márai
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2 years, 8 months ago

not always thinking that you could sail to India

[...] If you live by the sea you are not always thinking that you could sail to India, or that you could drown yourself in it. Most of the time you just live there, read, and go in for a swim. But that afternoon I stood in the dimly lit room and gazed at Judit. She was wearing her black housemaid’s…

—p.148 by Sándor Márai
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2 years, 8 months ago

the chill is of the kind you feel in the summer

Life, you know, becomes increasingly mechanical. Things chill down. The rooms are as well heated as ever they were, your temperature remains normal, your blood pressure is exactly as it was, you still have money in the bank or in your business. Once a week you go to the opera or to the theater, pre…

—p.146 by Sándor Márai