Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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2 years, 8 months ago

we compare ourselves with giants

Ferrante: I don’t know. I do think, though, that if a woman writer wants to achieve her utmost, she has to impose on herself a sort of systematic dissatisfaction. We compare ourselves with giants. The male literary tradition has an abundance of marvelous works, and offers a form for everything poss…

—p.342 Frantumaglia: A Writer's Journey LETTERS: 2011-2016 (217) by Elena Ferrante
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2 years, 8 months ago

I do not consider myself a militant

In short, I am a passionate reader of feminist thought. Yet I do not consider myself a militant; I believe I am incapable of militancy. Our heads are crowded with a very heterogeneous mix of material, fragments of time periods, conflicting intentions that cohabit, endlessly clashing with one anothe…

—p.332 LETTERS: 2011-2016 (217) by Elena Ferrante
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2 years, 8 months ago

the magma running beneath the pillars of convention

Ferrante: In general, we store away our experiences and make use of timeworn phrases—nice, ready-made, reassuring stylizations that give us a sense of colloquial normality. But in this way, either knowingly or unknowingly, we reject everything that, to be said fully, would require effort and a tort…

—p.330 LETTERS: 2011-2016 (217) by Elena Ferrante
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2 years, 8 months ago

inconvenient truths are the salt of literature

Ferrante: Inconvenient truths are the salt of literature. They don’t guarantee that the results will be good, but it’s where words derive their power and flavor.

—p.325 LETTERS: 2011-2016 (217) by Elena Ferrante
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2 years, 8 months ago

the image that men have sewed onto us advice/writing

Joos: Do you think that writing about female characters from a female perspective requires courage? And, if not, why, in your view, has it been done so rarely and with so little care?

Ferrante: I don’t know if it takes courage. Certainly you have to get beyond the female gender, beyond the ima…

—p.324 LETTERS: 2011-2016 (217) by Elena Ferrante