Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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2 months, 4 weeks ago

holding dramatic readings at his house

It was almost comical that he had gained the reputation as the man who worked without a script. Writing had been a passion throughout his life. He wrote and revised dozens of scripts and plays over the course of the next few years, and systematized a practice he had begun more desultorily in the mi…

—p.439 Cassavetes on Cassavetes Gloria (1978–80) (439) missing author
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2 months, 4 weeks ago

my filmmaking is an expensive, personal madness

I don’t think the path I’ve taken has been a deliberate choice. People do what they’re capable of doing. If I could take a lot of money from studios and enjoy myself at cocktail parties, I probably would make a conscious effort to take that route. I’m just not capable of doing it. My filmmaking is …

—p.438 Opening Night (1976–7) (406) missing author
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2 months, 4 weeks ago

I’m not fourteen and I want to be aimed at too

I think that people are bored with entertainment, but they have nothing else and they would prefer to see something that has to do with their lives. Now, movie companies aim everything at a fourteen-year-old mentality. Well I’m not fourteen and I want to be aimed at too. I want to be told something…

—p.437 Opening Night (1976–7) (406) missing author
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2 months, 4 weeks ago

she thinks she’s playing Joan of Arc for/pq project/stunt-story

The film is utterly without interest and the action-centered plot allowed Cassavetes to do almost no memorable acting, with the single exception of his final scene on screen – in which he came up with the idea of playing the most evil lines he has in the entire film with diabolical gentleness. As p…

—p.425 Opening Night (1976–7) (406) missing author
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2 months, 4 weeks ago

you wouldn’t express a goddamn thing

I think that there’s a pull and a push between whether you’re an individual, as I feel right now, or whether you are a part of society, and I think we are, all of us, pulled and pushed between these two things constantly. And you keep on saying, ‘Do I want to be what I am?’ or ‘Do I want to be part…

—p.415 Opening Night (1976–7) (406) missing author