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[...] such comedies invite us to think again, what it is Nietzsche sees when he speaks of our coming to doubt our right to happiness, to the pursuits of happiness. In the Genealogy of Morals, he draws a consequence of this repressed right as the construction of the ascetic ideal, our form of the th…

[...] In comedies of remarriage the fact of virginity is evidently not what is at stake. Yet all the more, it seems to me, is the concept of virginity still at stake, or what the fact meant is at stake something about the possession of chasteness or innocence, whatever one's physically determin…

I have sometimes found it useful to think of the nature of film by comparing what camera and projection bring to a script with what music brings to a libretto. Whatever the strains of the comparison its point here would be to locate what it is, in any medium that can film, seriously be thought of a…

There is in these closing pages of the play an unfolding of actions amounting to what I should like to call continual poetic justice. The intellectual or spiritual succession of concepts,’ dismantling the doll house, have this quality as certainly as the more obviously Ibsenist gesture in which Nor…

The intimacy of the connection between these excerpts and the themes of the films of remarriage will not, I think, make itself felt unforgettably until one is well into the studies of the individual films; certainly, as I indicated, I did not see the intimacy until I was just about through composin…