Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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You added a note
1 month, 3 weeks ago

really willing to die for the film you’re making

We always try to think about what was the very best time of our lives. Usually it’s college or something like that. Making Faces was the very best time of my life – because of the people. I’d never met people like that, and I’m talking about every single member of that company and cast, people who …

—p.201 Cassavetes on Cassavetes Faces (1963–8) (129) missing author
You added a note
1 month, 3 weeks ago

filmmakers must find new areas of conflict

It isn’t a desperate situation like A Child Is Waiting. These people aren’t trapped, they are always conscious of having a choice. My films strip characters of some of their illusions. Bring them to a little bit of understanding. The people come to some small awareness.

The main problem is findi…

—p.198 Faces (1963–8) (129) by John Cassavetes
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1 month, 3 weeks ago

people who are comfortable with their lives

My films are about personal things – marriages breaking up, love transformed by mutual treachery, the difficulty that two people have in communicating even though they live together. These are the problems which I have tackled and which concern me and concern others. Sometimes people find this pain…

—p.198 Faces (1963–8) (129) by John Cassavetes
You added a note
1 month, 3 weeks ago

he must muddle through them for/pq project/sutter-gutter

Hollywood films rely on a distancing strategy that is absent from Faces. They comment on experience; they judge it; they tell us what to think about it; they offer interpretations. Cassavetes doesn’t provide any of these abstract ways of understanding. This is what makes all of his films so emotion…

—p.197 Faces (1963–8) (129) by Ray Carney
You added a note
1 month, 3 weeks ago

he seemed to have a chip on his shoulder

If truth be told, it wasn’t entirely Polanski’s problem. Cassavetes was extremely difficult to direct. Everyone who worked with him testified to the fact, even directors who personally liked him and enjoyed his performances. Don Siegel, who was the closest of personal friends and almost always resp…

—p.183 Faces (1963–8) (129) by Ray Carney