Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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1 month, 3 weeks ago

the tragedy of Clifford Odets

The tragedy of our time in the theatre is the tragedy of Clifford Odets. Not that I share the sentiment expressed in his obituaries that he’d failed in his career. Clifford influenced a generation of playwrights—Art Miller, who’s sitting here; Tennessee Williams, who told me that his first arousing…

—p.663 Elia Kazan: A Life by Elia Kazan
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1 month, 3 weeks ago

the “perfect” home she’d made

However, the main reason for my devotion to the cause was my concern for Molly. She’d invested her soul, nothing less, in her hopes for a pleasant life of work together, side by side, in the “perfect” home she’d made. Pleasant! I grew to hate that word. I don’t know exactly why; perhaps she used it…

—p.660 by Elia Kazan
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1 month, 3 weeks ago

men called geniuses

Men called geniuses have been the joy of my existence—but I didn’t know them as geniuses. All those I’ve known and worked with—Aaron Copland, Clifford Odets, Tennessee Williams, Harold Clurman, Orson Welles, Marlon Brando—have a joyous intensity in work and have passed it on to me. They are blessed…

—p.659 by Elia Kazan
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1 month, 3 weeks ago

I didn’t like the place

“Good,” she said, “relax. Give in. I’m going to make us an old-fashioned.”

She was gone. I heard the apartment house’s elevator through the walls. I recalled our brownstone on Seventy-second Street and its porch directly off the bedroom, where I used to sleep nights under the summer sky. Then I …

—p.655 by Elia Kazan
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1 month, 3 weeks ago

I acquired a mini-harem

For my personal needs, I was provided with a “service flat”—four rooms and a housekeeper, who had dinner waiting for me when I came back at night. To attend to other needs, I acquired a mini-harem built around two actresses whom I could call on whenever I chose. They were good girls, lovely as well…

—p.651 by Elia Kazan