INTERVIEWER
What traditions are behind your writing?
MOODY
The modernist notion that anything is possible, the postmodernist notion that everything is exhausted, the post-postmodernist notion that since everything is exhausted, everything is permitted.
INTERVIEWER
What traditions are behind your writing?
MOODY
The modernist notion that anything is possible, the postmodernist notion that everything is exhausted, the post-postmodernist notion that since everything is exhausted, everything is permitted.
INTERVIEWER
Do you have a daily schedule you try to stick to when you’re working?
MOODY
No. I’m against schedules. Write when you feel excited by the prospect. Otherwise, don’t bother. Break your deadlines, default on your due dates, wander in the streets, go to the movies, eat lavishly, fornicate, blaspheme, bless a street urchin, browbeat a civil servant, and when you’re done with these things, if you feel excited by what you’ve seen and heard, then go write.
INTERVIEWER
Do you have a daily schedule you try to stick to when you’re working?
MOODY
No. I’m against schedules. Write when you feel excited by the prospect. Otherwise, don’t bother. Break your deadlines, default on your due dates, wander in the streets, go to the movies, eat lavishly, fornicate, blaspheme, bless a street urchin, browbeat a civil servant, and when you’re done with these things, if you feel excited by what you’ve seen and heard, then go write.
When I was on tour people would say, I’m so sorry about your mother, as if the work was transparently autobiographical. But my mother is in the pink, and grateful for many things, except for the fact that she has a writer for a son. You’re correct that writing about sons and mothers is deeply demanding and complex, and in my experience it does make you feel kind of uncomfortable. But if you find you need to write about subjects like this, you have no choice but to commit entirely. You can’t get part way in and then try to be dainty, you know?
When I was on tour people would say, I’m so sorry about your mother, as if the work was transparently autobiographical. But my mother is in the pink, and grateful for many things, except for the fact that she has a writer for a son. You’re correct that writing about sons and mothers is deeply demanding and complex, and in my experience it does make you feel kind of uncomfortable. But if you find you need to write about subjects like this, you have no choice but to commit entirely. You can’t get part way in and then try to be dainty, you know?
What else could I be? I guess to be an American writer means, uh, that I have dined multiply at drive-through windows and that I have no choice but to occasionally darken the inside of a shopping mall, and that I come from a country of former slave-owners, and that I feel the Manhattan Project as a blot on my conscience that I will never expiate, and that there is something in baseball that I think is close to my heart (it was once a Native American game), and it means that I daily have contact with guys who think that our government exists only in order to hinder the magnanimous philanthropic work of large corporations, and it means that there’s constant vacillation in my head between the ethical messages of Judeo-Christianity and a desire to cast off these messages entirely, and it means, hmm, that I like artificial cheese food products, and it means that I conceive of nature as an expanse of space, and it means that I believe that spirituality is best experienced in landscapes emptied of human beings, and it means that I like to spin the dial on a television set, just can’t stop myself from spinning that dial, and it means that I only speak one language well, and it means that I don’t mind listening to people on the street talking incessantly about stock prices, and it means that I look to Europe for a definition of the high arts, and it means that I sometimes can’t tell the difference between high and low arts, and it means that the sentimental reiteration of family as the origin of all good is never far from my mind, even though I resist this idea entirely, and it means I know a lot about cars, and it means that I can talk for half an hour about the best kind of computer, and it means that I have a lot of opinions about the best operating system for a computer, and it means that I prefer music with guitars to music with electronic keyboards, and it means that I think ketchup is a vegetable, and it means that I am to some degree or other worried about my weight, and it means I believe strongly in ministorage and the ministorage way of life, and it means I can’t imagine anyone would disagree with all these American things. Guess it means a lot of things, huh?
What else could I be? I guess to be an American writer means, uh, that I have dined multiply at drive-through windows and that I have no choice but to occasionally darken the inside of a shopping mall, and that I come from a country of former slave-owners, and that I feel the Manhattan Project as a blot on my conscience that I will never expiate, and that there is something in baseball that I think is close to my heart (it was once a Native American game), and it means that I daily have contact with guys who think that our government exists only in order to hinder the magnanimous philanthropic work of large corporations, and it means that there’s constant vacillation in my head between the ethical messages of Judeo-Christianity and a desire to cast off these messages entirely, and it means, hmm, that I like artificial cheese food products, and it means that I conceive of nature as an expanse of space, and it means that I believe that spirituality is best experienced in landscapes emptied of human beings, and it means that I like to spin the dial on a television set, just can’t stop myself from spinning that dial, and it means that I only speak one language well, and it means that I don’t mind listening to people on the street talking incessantly about stock prices, and it means that I look to Europe for a definition of the high arts, and it means that I sometimes can’t tell the difference between high and low arts, and it means that the sentimental reiteration of family as the origin of all good is never far from my mind, even though I resist this idea entirely, and it means I know a lot about cars, and it means that I can talk for half an hour about the best kind of computer, and it means that I have a lot of opinions about the best operating system for a computer, and it means that I prefer music with guitars to music with electronic keyboards, and it means that I think ketchup is a vegetable, and it means that I am to some degree or other worried about my weight, and it means I believe strongly in ministorage and the ministorage way of life, and it means I can’t imagine anyone would disagree with all these American things. Guess it means a lot of things, huh?