[...] Iris hammered out an accompaniment on the upright piano in the old music room, mostly used for listening to radio broadcasts. She was the only person Netta had ever heard who could make Mozart sound like an Irish jig. [...]

“I am responsible for the last eighty-one years of this lease,” said Netta. “I'm going to be thirty. It's a long tenure. Besides, I've got Jack's mother and she won't leave. Jack has a chance now to visit America. It doesn't sound sensible to me, but she writes encouraging him. She imagines him suddenly very rich and sending for her. I've discovered the limit of what you can feel about people. I've discovered something else,” she said abruptly. “It is that sex and love have nothing in common. Only a coincidence, sometimes. You think the coincidence will go on and so you get married. I suppose that is what men are born knowing and women learn by accident.” “I'm su-horry.”

She set off over the Place, walking diagonally — Jack beside her, of course. He did not ask where they were headed, though he did make her smile by saying, “Did you bring a car?” expecting one of the hotel cars to be parked nearby, perhaps with a driver to open the door; perhaps with cold chicken and wine in a hamper, too. He said, “I'd forgotten about having to tip for every little thing.” He did not question his destination, which was no farther than a café at the far end of the square. What she felt at that instant was intense revulsion. She thought, I don't want him, and pushed away some invisible flying thing — a bat or a blown paper. He looked at her with surprise. He must have been wondering if hardship had taught Netta to talk in her mind.

This is it, the freedom he was always offering me, she said to herself, smiling up at the beautiful sky.

But he had lost her; she was enjoying a reverie about Jack now, wearing one of those purple sunburns people acquire at golf. She saw him driving an open car, with large soft freckles on his purple skull. She saw his mistress's dog on the front seat and the dog's ears flying like pennants. The revulsion she felt did not lend distance but brought a dreamy reality closer still. He must be thirty-four now, she said to herself. A terrible age for a man who has never imagined thirty-four.

“Oh, God, where is the waiter?” she cried, as if that were the one important thing. Jack looked his age, exactly. She looked like a burned-out child who had been told a ghost story. Desperately seeking the waiter, she turned to the café behind them and saw the last light of the long afternoon strike the mirror above the bar — a flash in a tunnel; hands juggling with fire. That unexpected play, at a remove, borne indoors, displayed to anyone who could stare without blinking, was a complete story. It was the brightness on the looking glass, the only part of a life, or a love, or a promise, that could never be concealed, changed, or corrupted.

Not a hope, she was trying to tell him. He could read her face now. She reminded herself, If I say it, I am free. I can finish painting the radiators in peace. I can read every book in the world. If I had relied on my memory for guidance, I would never have crept out of the wine cellar. Memory is what ought to prevent you from buying a dog after the first dog dies, but it never does. It should at least keep you from saying yes twice to the same person.