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141

Builders

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notes

Yates, R. (2002). Builders. In Yates, R. The Collected Stories of Richard Yates. Picador, pp. 141-174

148

“Well, very nice,” he said. “I won’t take time to read this other one now, but this first one’s very nice. ’Course, naturally, as you said, this is a very different kind of material you got here, so it’s a little hard for me to—you know—” and he dismissed the rest of this difficult sentence with a wave of the hand. “I’ll tell you what, though, Bob. Instead of just reading here, let me ask you a couple of questions about writing. For example.” He closed his eyes and delicately touched their lids with his fingers, thinking, or more likely pretending to think, in order to give added weight to his next words. “For example, let me ask you this. Supposing somebody writes you a letter and says, ‘Bob, I didn’t have time to write you a short letter today, so I had to write you a long one instead.’ Would you know what they meant by that?”

Don’t worry, I played this part of the evening pretty cool. I wasn’t going to let twenty-five bucks get away from me without some kind of struggle; and my answer, whatever sober-sided nonsense it was, could have left no doubt in his mind that this particular writing candidate knew something of the difficulty and the value of compression in prose. He seemed gratified by it, anyway.

lmao

—p.148 by Richard Yates 9 months, 2 weeks ago

“Well, very nice,” he said. “I won’t take time to read this other one now, but this first one’s very nice. ’Course, naturally, as you said, this is a very different kind of material you got here, so it’s a little hard for me to—you know—” and he dismissed the rest of this difficult sentence with a wave of the hand. “I’ll tell you what, though, Bob. Instead of just reading here, let me ask you a couple of questions about writing. For example.” He closed his eyes and delicately touched their lids with his fingers, thinking, or more likely pretending to think, in order to give added weight to his next words. “For example, let me ask you this. Supposing somebody writes you a letter and says, ‘Bob, I didn’t have time to write you a short letter today, so I had to write you a long one instead.’ Would you know what they meant by that?”

Don’t worry, I played this part of the evening pretty cool. I wasn’t going to let twenty-five bucks get away from me without some kind of struggle; and my answer, whatever sober-sided nonsense it was, could have left no doubt in his mind that this particular writing candidate knew something of the difficulty and the value of compression in prose. He seemed gratified by it, anyway.

lmao

—p.148 by Richard Yates 9 months, 2 weeks ago
156

There was the roof and there was the chimney top of it; there were all the windows with the light coming in; there was another approving chuckle from Dr. Alexander Corvo and another submission to the Reader’s Digest; there was another whisper of a chance for a Simon and Schuster contract and a three-million-dollar production starring Wade Manley; and there was another five in the mail for me.

—p.156 by Richard Yates 9 months, 2 weeks ago

There was the roof and there was the chimney top of it; there were all the windows with the light coming in; there was another approving chuckle from Dr. Alexander Corvo and another submission to the Reader’s Digest; there was another whisper of a chance for a Simon and Schuster contract and a three-million-dollar production starring Wade Manley; and there was another five in the mail for me.

—p.156 by Richard Yates 9 months, 2 weeks ago
158

Then she asked me if I wanted to know something, and without waiting to find out whether I did or not, she told me. She told me I was just about the biggest snob and biggest bully and biggest all-around loud-mouthed jerk she’d ever come across in her life.

One thing led to another after that; by the time we were on the subway for our enjoyable get-together with the Silvers we were only barely on speaking terms, and I can’t tell you how grateful I was to find that the Silvers, while staying on ginger ale themselves, had broken out a bottle of rye for their guests.

—p.158 by Richard Yates 9 months, 2 weeks ago

Then she asked me if I wanted to know something, and without waiting to find out whether I did or not, she told me. She told me I was just about the biggest snob and biggest bully and biggest all-around loud-mouthed jerk she’d ever come across in her life.

One thing led to another after that; by the time we were on the subway for our enjoyable get-together with the Silvers we were only barely on speaking terms, and I can’t tell you how grateful I was to find that the Silvers, while staying on ginger ale themselves, had broken out a bottle of rye for their guests.

—p.158 by Richard Yates 9 months, 2 weeks ago
170

“I will! I will! I’ll certainly do that for you, Bob,” he said, and so I was glad I’d put it that way. “And now, what I called you about is this.” And he chuckled. “Oh, don’t worry, no politics. Here’s the thing. I’ve got this really terrifically talented boy working for me now, Bob. This boy’s an artist.”

And great God, what a sickly, intricate thing a writer’s heart is! Because do you know what I felt when he said that? I felt a twinge of jealousy. “Artist,” was he? I’d show them who the hell the artist was around this little writing establishment.

But right away Bernie started talking about “strips” and “layouts,” so I was able to retire my competitive zeal in favor of the old, reliable ironic detachment. What a relief!

“Oh, an artist, you mean. A comic-strip artist.”

—p.170 by Richard Yates 9 months, 2 weeks ago

“I will! I will! I’ll certainly do that for you, Bob,” he said, and so I was glad I’d put it that way. “And now, what I called you about is this.” And he chuckled. “Oh, don’t worry, no politics. Here’s the thing. I’ve got this really terrifically talented boy working for me now, Bob. This boy’s an artist.”

And great God, what a sickly, intricate thing a writer’s heart is! Because do you know what I felt when he said that? I felt a twinge of jealousy. “Artist,” was he? I’d show them who the hell the artist was around this little writing establishment.

But right away Bernie started talking about “strips” and “layouts,” so I was able to retire my competitive zeal in favor of the old, reliable ironic detachment. What a relief!

“Oh, an artist, you mean. A comic-strip artist.”

—p.170 by Richard Yates 9 months, 2 weeks ago