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50

Contempt: The Story of a Marriage

1
terms
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notes

Lopate, P. (1998). Contempt: The Story of a Marriage. In Lopate, P. Totally, Tenderly, Tragically. Anchor, pp. 50-63

(noun) a woman who is the most respected or prominent person in a particular field (feminine version of doyen)

55

This side of Bardot survives in the doyenne who today proclaims her disgust

—p.55 by Phillip Lopate
notable
1 year, 1 month ago

This side of Bardot survives in the doyenne who today proclaims her disgust

—p.55 by Phillip Lopate
notable
1 year, 1 month ago
59

All through the sixties, Godard was fascinated with the beautiful woman who betrays (Jean Seberg in Breathless), withdraws her love (Chantal Goya in Masculin-Feminin), runs away (Anna Karina in Pierrot le Fou) or is faithless (Bardot in Contempt). What makes Contempt an advance over this somewhat misogynistic obsession with the femme fatale is that here, Godard seems perfectly aware how much at fault his male character is for the loss of the woman's love.

—p.59 by Phillip Lopate 1 year, 1 month ago

All through the sixties, Godard was fascinated with the beautiful woman who betrays (Jean Seberg in Breathless), withdraws her love (Chantal Goya in Masculin-Feminin), runs away (Anna Karina in Pierrot le Fou) or is faithless (Bardot in Contempt). What makes Contempt an advance over this somewhat misogynistic obsession with the femme fatale is that here, Godard seems perfectly aware how much at fault his male character is for the loss of the woman's love.

—p.59 by Phillip Lopate 1 year, 1 month ago