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62

Interviews: The Art of Fiction No. 261

with Yu Hua

(missing author)

0
terms
2
notes

? (2023). The Art of Fiction No. 261. The Paris Review, 246, pp. 62-93

78

I always felt that writing short stories was more of a job. I could complete them on a schedule—they were inevitably finished within a day, or a few. Novels are impossible to execute that way. Over the years that you work, your sense of the book shifts. You deepen your understanding of your characters—you’re living together. Once I’m halfway done with a novel, they start saying things of their own accord. Sometimes I’ll think to myself, This is even better than I could have imagined.

—p.78 missing author 1 month, 3 weeks ago

I always felt that writing short stories was more of a job. I could complete them on a schedule—they were inevitably finished within a day, or a few. Novels are impossible to execute that way. Over the years that you work, your sense of the book shifts. You deepen your understanding of your characters—you’re living together. Once I’m halfway done with a novel, they start saying things of their own accord. Sometimes I’ll think to myself, This is even better than I could have imagined.

—p.78 missing author 1 month, 3 weeks ago
88

When you’re writing, you are always thinking of the reader, but that reader ultimately has to be yourself. If you discover, Wait, this sentence isn’t quite right, that’s the reader in you, the part of you whose taste has been shaped by hundreds of great works of literature, speaking up. A writer who’s always reading the best—whatever they come up with can’t be that bad. But someone who’s just reading crap, no matter how talented they are, won’t get anywhere good. And sometimes the reader and the writer in you will argue. The writer thinks, It’s fine the way it is! But the reader says, No, it’s still not quite there! Most of the time, the writer has a nap and realizes, Wait, actually, they might’ve had a point there …

—p.88 missing author 1 month, 3 weeks ago

When you’re writing, you are always thinking of the reader, but that reader ultimately has to be yourself. If you discover, Wait, this sentence isn’t quite right, that’s the reader in you, the part of you whose taste has been shaped by hundreds of great works of literature, speaking up. A writer who’s always reading the best—whatever they come up with can’t be that bad. But someone who’s just reading crap, no matter how talented they are, won’t get anywhere good. And sometimes the reader and the writer in you will argue. The writer thinks, It’s fine the way it is! But the reader says, No, it’s still not quite there! Most of the time, the writer has a nap and realizes, Wait, actually, they might’ve had a point there …

—p.88 missing author 1 month, 3 weeks ago