100
Letters (2015): The Story of the Lost Child
(missing author)
1
terms
1
notes
113
The Story of the Lost Child is no manifesto. Who would want it to be? It is the story that an imposter might write, knowing herself to be one. An upstart’s novel, of bad mothers and bad feminists, bad politicos, of the kind of self-regard necessary to close oneself off in a room of one’s own and write away the day. Or better, it is a story of the trade-offs that went into the making of Elena Greco, the novelist. Maybe it is better to say that my disappointment lies with the realism of the novels that is so like this world, where there is no purely good choice, no correct answer in choosing between mother, friend, feminist, radical, writer, lover.
The Story of the Lost Child is no manifesto. Who would want it to be? It is the story that an imposter might write, knowing herself to be one. An upstart’s novel, of bad mothers and bad feminists, bad politicos, of the kind of self-regard necessary to close oneself off in a room of one’s own and write away the day. Or better, it is a story of the trade-offs that went into the making of Elena Greco, the novelist. Maybe it is better to say that my disappointment lies with the realism of the novels that is so like this world, where there is no purely good choice, no correct answer in choosing between mother, friend, feminist, radical, writer, lover.
bathos
(en)
(noun) a literary term coined by Alexander Pope to describe to describe amusingly failed attempts at sublimity (an effect of anticlimax created by an unintentional lapse in mood from the sublime to the trivial or ridiculous); adj is "bathetic"
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the surprise comes in the bathetic letdown of their failures
notable
1 year ago
the surprise comes in the bathetic letdown of their failures
notable
1 year ago