1990
JAY: [...] Only a strong membrane can suck in a sperm, Lenore. Here, I know, pretend I'm a sperm.
LENORE: I don't care for the way this session is going one bit.
JAY: No, really. Be secure. Pretend I'm a sperm cell. Here. I take the string out of the ... hood of my sweatshirt, affix it to my behind for a tail, like so ...
LENORE: What in God's name are you doing?
JAY: Pretend, Lenore. Be an ovum. Be strong. Let me hypothetically batter at you. Batter batter. Surrender to the unreal of the real interor.
LENORE: Are you supposed to be a sperm, wriggling in your sweatshirt-string like that?
JAY: I can feel the strength of your membrane, Lenore.
LENORE: A sperm in a gas mask?
JAY: Batter batter.
LENORE: I demand that you set my chair in motion.
JAY: [...] Only a strong membrane can suck in a sperm, Lenore. Here, I know, pretend I'm a sperm.
LENORE: I don't care for the way this session is going one bit.
JAY: No, really. Be secure. Pretend I'm a sperm cell. Here. I take the string out of the ... hood of my sweatshirt, affix it to my behind for a tail, like so ...
LENORE: What in God's name are you doing?
JAY: Pretend, Lenore. Be an ovum. Be strong. Let me hypothetically batter at you. Batter batter. Surrender to the unreal of the real interor.
LENORE: Are you supposed to be a sperm, wriggling in your sweatshirt-string like that?
JAY: I can feel the strength of your membrane, Lenore.
LENORE: A sperm in a gas mask?
JAY: Batter batter.
LENORE: I demand that you set my chair in motion.
"And the writing was just so . . . This one line I remember: 'He grinned wryly.' Grinned wryly? Who grins wryly? Nobody grins wryly at all, except in stories. It wasn't real at all. It was like a story about a story. I put it on Mavis's desk with the ones about the proctologist and the snowblower."
"And the writing was just so . . . This one line I remember: 'He grinned wryly.' Grinned wryly? Who grins wryly? Nobody grins wryly at all, except in stories. It wasn't real at all. It was like a story about a story. I put it on Mavis's desk with the ones about the proctologist and the snowblower."
RICK: How do you know his age? That he's blond and virile, with a socio-economic background?
until this moment, I assumed that Rick had told Jay all about Andy, but here we learn there's something more sinister going on (i.e., it's probably all a big plot--ha-- controlled by Lenore Sr.)
RICK: How do you know his age? That he's blond and virile, with a socio-economic background?
until this moment, I assumed that Rick had told Jay all about Andy, but here we learn there's something more sinister going on (i.e., it's probably all a big plot--ha-- controlled by Lenore Sr.)
Fieldbinder smiled coolly and speculatively stroked his own generous jaw, lingering over the deep cleft that somehow through physical processes obscure caught and reflected light in such a way as to blind anyone who tried to look directly into Fieldbinder's deep green eyes
_deep blue eyes, the color of cold crystal, with tiny fluffy white diamonds frozen in irises of ice.
_Fieldbinder grinned wryly. "The word has a music, in my opinion, is all."
amazingly like Dan Brown's writing. the best part is the hilariously negative portrayal of Dr. J, who hisses, bleats, lisps, and plays with himself covertly
Fieldbinder smiled coolly and speculatively stroked his own generous jaw, lingering over the deep cleft that somehow through physical processes obscure caught and reflected light in such a way as to blind anyone who tried to look directly into Fieldbinder's deep green eyes
_deep blue eyes, the color of cold crystal, with tiny fluffy white diamonds frozen in irises of ice.
_Fieldbinder grinned wryly. "The word has a music, in my opinion, is all."
amazingly like Dan Brown's writing. the best part is the hilariously negative portrayal of Dr. J, who hisses, bleats, lisps, and plays with himself covertly
(noun) a particular form of expression or a peculiarity of phrasing / (noun) a word or expression characteristic of a region, group, or cultural level / (noun) style of discourse; phraseology
In college, women were locutionally reduced to earth, or impediment. 'Have you blasted her?' 'Drill her yet?'
from a Fieldbinder story
In college, women were locutionally reduced to earth, or impediment. 'Have you blasted her?' 'Drill her yet?'
from a Fieldbinder story