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46

King’s Feedery

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poetry by Rohan Chhetri

Paris Review, T. (2020). King’s Feedery. In Paris Review, T. The Paris Review Issue 234. The Paris Review Foundation, Inc., pp. 46-47

46

After the rape & the bloodbath, the savage king
& his men retired to a long shed built in an open
field by a thin river fashioned for this lull in the pillaging
so the horses could rest. One by one, they scrubbed
blood off their fingers & faces & sat down to devour
a feast of rice & goat served by the villagers.
The legend remains only in the name of a lodge
built in the same place, which from the Bengali means
the King’s Feedery, where the king took his meal.
We say Death stays here when it visits someone
in the family. The time it came for Grandfather, it arrived
late. Not at the wolf’s hour between midnight & first
light, but late morning on the highway, siren blaring
all the way to the nursing home. As if punishing us
for what it botched, it hung around for a few
months at the Feedery, then came for my aunt. Young,
suffering in a marriage, she was taken straight by her weak
heart. I imagine them, father & daughter, sitting still
across a table, sharing a meal of steaming boiled potatoes,
& always in the afterlife that vague dream of salt.
Death takes in threes, they said. We feared it would
come for one of us. In the trashed room,
they found Death’s ledger full of illegible scrawls
in a dark meter no one could understand.
Grandmother’s devastation circled complete, that year
a channel of clear water began thrumming beneath
her skin. We heard it rumble whenever she opened
her mouth to speak. When I think of love,
I think of her weeping as I left, her swollen lip
grazing the back of my hand through the car window. Brief
& bright her long blurred life now summoned
with Death lurking at the borders again.
Married at thirteen, adolescence lost
weeping into a cauldron of chopped onions. She talks
of the flimsy wooden hovel perched on four
fraying stumps & in her telling it is always
how she saw it first, herself decked in gold
with that sinking dread: a preface. I think of love
& I think how when they lifted Grandfather’s bier
she called out to him crying My child
my god  my child

—p.46 by The Paris Review 2 years, 11 months ago

After the rape & the bloodbath, the savage king
& his men retired to a long shed built in an open
field by a thin river fashioned for this lull in the pillaging
so the horses could rest. One by one, they scrubbed
blood off their fingers & faces & sat down to devour
a feast of rice & goat served by the villagers.
The legend remains only in the name of a lodge
built in the same place, which from the Bengali means
the King’s Feedery, where the king took his meal.
We say Death stays here when it visits someone
in the family. The time it came for Grandfather, it arrived
late. Not at the wolf’s hour between midnight & first
light, but late morning on the highway, siren blaring
all the way to the nursing home. As if punishing us
for what it botched, it hung around for a few
months at the Feedery, then came for my aunt. Young,
suffering in a marriage, she was taken straight by her weak
heart. I imagine them, father & daughter, sitting still
across a table, sharing a meal of steaming boiled potatoes,
& always in the afterlife that vague dream of salt.
Death takes in threes, they said. We feared it would
come for one of us. In the trashed room,
they found Death’s ledger full of illegible scrawls
in a dark meter no one could understand.
Grandmother’s devastation circled complete, that year
a channel of clear water began thrumming beneath
her skin. We heard it rumble whenever she opened
her mouth to speak. When I think of love,
I think of her weeping as I left, her swollen lip
grazing the back of my hand through the car window. Brief
& bright her long blurred life now summoned
with Death lurking at the borders again.
Married at thirteen, adolescence lost
weeping into a cauldron of chopped onions. She talks
of the flimsy wooden hovel perched on four
fraying stumps & in her telling it is always
how she saw it first, herself decked in gold
with that sinking dread: a preface. I think of love
& I think how when they lifted Grandfather’s bier
she called out to him crying My child
my god  my child

—p.46 by The Paris Review 2 years, 11 months ago