INTERVIEWER
Does this relationship with absence remain the reason why you write poems?
ANEDDA
I write to intensify reality and at the same time to undermine it, as Emily Dickinson does when she says, “Bring me the sunset in a cup / Reckon the morning’s flagons up.” The miracle of this poem is the dislocation of the relationship between the domestic and the universal. The visible is there, but reimagined by the swerve from ordinary perspectives and scales.
INTERVIEWER
Does this relationship with absence remain the reason why you write poems?
ANEDDA
I write to intensify reality and at the same time to undermine it, as Emily Dickinson does when she says, “Bring me the sunset in a cup / Reckon the morning’s flagons up.” The miracle of this poem is the dislocation of the relationship between the domestic and the universal. The visible is there, but reimagined by the swerve from ordinary perspectives and scales.