The meritocratic failures of classical music
(missing author)One day, around the beginning of my junior year of college, it occurred to me that I wasn’t going to make it. I had already developed carpal tunnel and tendonitis from years of improper violin technique taught to me by my rural music teachers. I was out of money to go to festivals, and I had no way of making lasting, important connections in a field where who you know matters more than anything else. I had no serious job prospects, nor any hope for job prospects. At work one night, the falseness of the “work hard and you will succeed” ethic washed over me: the truth was the music world was a two-tiered system, and I was in the second chair. Hungover, in the comfort of a dark recording booth, I began to cry. Few things are as life altering as realizing your preferred life is unalterably a fucked impossibility.
One day, around the beginning of my junior year of college, it occurred to me that I wasn’t going to make it. I had already developed carpal tunnel and tendonitis from years of improper violin technique taught to me by my rural music teachers. I was out of money to go to festivals, and I had no way of making lasting, important connections in a field where who you know matters more than anything else. I had no serious job prospects, nor any hope for job prospects. At work one night, the falseness of the “work hard and you will succeed” ethic washed over me: the truth was the music world was a two-tiered system, and I was in the second chair. Hungover, in the comfort of a dark recording booth, I began to cry. Few things are as life altering as realizing your preferred life is unalterably a fucked impossibility.