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100

Presentation III

8
terms
0
notes

Brecht, B. et al (2007). Presentation III. In Brecht, B. et al Aesthetics and Politics. Verso, pp. 100-109

relating to stone and gems and the work involved in engraving, cutting, or polishing

102

the psychologistic subjectivism and ahistorical romanticism which he believed he could see beneath the dense and lapidary brilliance of Benjamin's text

—p.102 by Bertolt Brecht, Ernst Bloch, Fredric Jameson, György Lukács, Theodor W. Adorno, Walter Benjamin
notable
5 years, 1 month ago

the psychologistic subjectivism and ahistorical romanticism which he believed he could see beneath the dense and lapidary brilliance of Benjamin's text

—p.102 by Bertolt Brecht, Ernst Bloch, Fredric Jameson, György Lukács, Theodor W. Adorno, Walter Benjamin
notable
5 years, 1 month ago

(noun) a reversal of circumstances, or turning point; Anglicised form of the Greek "peripeteia"

104

specific contents of Baudelaire's poetry were directly reduced to economic peripeteia of the time

—p.104 by Bertolt Brecht, Ernst Bloch, Fredric Jameson, György Lukács, Theodor W. Adorno, Walter Benjamin
confirm
5 years, 1 month ago

specific contents of Baudelaire's poetry were directly reduced to economic peripeteia of the time

—p.104 by Bertolt Brecht, Ernst Bloch, Fredric Jameson, György Lukács, Theodor W. Adorno, Walter Benjamin
confirm
5 years, 1 month ago

(adjective) of or relating to dreams; dreamy

(noun) the performance of miracles / (noun) magic

106

credulous believer in the thaumaturgical virtue of 'calling things by their names'

—p.106 by Bertolt Brecht, Ernst Bloch, Fredric Jameson, György Lukács, Theodor W. Adorno, Walter Benjamin
uncertain
5 years, 1 month ago

credulous believer in the thaumaturgical virtue of 'calling things by their names'

—p.106 by Bertolt Brecht, Ernst Bloch, Fredric Jameson, György Lukács, Theodor W. Adorno, Walter Benjamin
uncertain
5 years, 1 month ago

(noun) use of a longer phrasing in place of a possible shorter form of expression / (noun) an instance of periphrasis

106

adept practitioners of the diplomatic art of euphemism and periphrasis, that knowingly does not call things by their name

—p.106 by Bertolt Brecht, Ernst Bloch, Fredric Jameson, György Lukács, Theodor W. Adorno, Walter Benjamin
confirm
5 years, 1 month ago

adept practitioners of the diplomatic art of euphemism and periphrasis, that knowingly does not call things by their name

—p.106 by Bertolt Brecht, Ernst Bloch, Fredric Jameson, György Lukács, Theodor W. Adorno, Walter Benjamin
confirm
5 years, 1 month ago

regarding something abstract as a material thing (fallaciously); an effect of reification

107

Benjamin, following Brecht, tended to hypostasize techniques in abstraction from relations of production

—p.107 by Bertolt Brecht, Ernst Bloch, Fredric Jameson, György Lukács, Theodor W. Adorno, Walter Benjamin
notable
5 years, 1 month ago

Benjamin, following Brecht, tended to hypostasize techniques in abstraction from relations of production

—p.107 by Bertolt Brecht, Ernst Bloch, Fredric Jameson, György Lukács, Theodor W. Adorno, Walter Benjamin
notable
5 years, 1 month ago

(noun) a painkilling drug or medicine

107

a past and future stretching far beyond the anodyne riffs to which he confined it

editorialising on Adorno's analysis of jazz

—p.107 by Bertolt Brecht, Ernst Bloch, Fredric Jameson, György Lukács, Theodor W. Adorno, Walter Benjamin
notable
5 years, 1 month ago

a past and future stretching far beyond the anodyne riffs to which he confined it

editorialising on Adorno's analysis of jazz

—p.107 by Bertolt Brecht, Ernst Bloch, Fredric Jameson, György Lukács, Theodor W. Adorno, Walter Benjamin
notable
5 years, 1 month ago

(adj) exhibiting different colors, especially as irregular patches or streaks

108

an extremely complex and variegated set of dialectical relationships between 'high' and 'low' and 'avant-garde' and 'popular'strands

—p.108 by Bertolt Brecht, Ernst Bloch, Fredric Jameson, György Lukács, Theodor W. Adorno, Walter Benjamin
notable
5 years, 1 month ago

an extremely complex and variegated set of dialectical relationships between 'high' and 'low' and 'avant-garde' and 'popular'strands

—p.108 by Bertolt Brecht, Ernst Bloch, Fredric Jameson, György Lukács, Theodor W. Adorno, Walter Benjamin
notable
5 years, 1 month ago