Welcome to Bookmarker!

This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

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Once I theorized aloud that X’s circadian rhythms might have been abnormal, that they might have worked differently from those of the average person, but she asked me to explain how, precisely, circadian rhythms “worked” in this supposedly “average person.” What did I know definitively about such rhythms, and could I cite any reputable studies, and was my understanding of this so-called biological process up-to-date? Of course, I had no such information at hand and had to cede the discussion to her; that is, I had to stop talking.

This happened not infrequently—this realization of how little I actually knew and how much I repeated or relied upon information about things of which I had no direct understanding. Though such probing of someone’s ignorance may seem hostile, even controlling, I did not experience it as such. Instead, it had the result of deepening my understanding of everything, of relying less upon shorthand, and though I did eventually read extensively about circadian rhythms, there were not, at that time, enough credible studies on jet lag to convince X of its existence.

definitely similar to BH lol

—p.197 Gioia (195) by Catherine Lacey 4 weeks, 1 day ago

The prospect of having to repeat myself felt all at once sobering and sad; Gioia must have noticed the change in my expression because she bounced from her seat and went to a sideboard, where she mixed us two drinks, handing me one without asking. She possessed a kind of ageless nonchalance, one I felt was not uncommon among Italian women, as if time itself could not touch her, as if the years may pass if they so choose, but those passing years would have no ill effect upon her. After all, what was time but a series of afternoons, evenings, seasons—something to sprawl over and enjoy, something to possess?

cute

—p.200 Gioia (195) by Catherine Lacey 4 weeks, 1 day ago

“And yes, I know that Martina wasn’t a real person—though I was late to hear about that exhibition and everything, and quite frankly I didn’t get it—but I never met X. I only knew Martina. Maybe it’s dumb to think my conversations with Martina were real, that she was actually my friend, but, I don’t know—she was … She treated me like I was her equal. It’s hard to imagine I would have stayed in this industry if it weren’t for her. Sometimes she called me on Sunday mornings because I lived near a church and there were these bells and we’d just sit there, not talking, just listening to the bells together …

—p.220 Knife Fight (216) by Catherine Lacey 4 weeks, 1 day ago

A few of these friends repeated the same dull anecdotes about the group crashing parties at Warhol’s factory, but the most commonly told story was how Cassandra scandalized them all by turning down Warren Beatty’s advances. The two apparently met at a dinner party, and when he’d asked her to have a drink with him the next night she said she wasn’t free, and when he’d asked her to tell him when she was free she told him she was free all the time, free every moment of her life, that she was simply too free to go around with a man like him. This apparently enraged Oleg.

lol

—p.225 Knife Fight (216) by Catherine Lacey 4 weeks, 1 day ago

The Pain Room was designed to be viewed by one person at a time. Viewers had to open the short door, crawl inside the little room, lock themselves in, and sit in a chair to view a six- minute film, a compilation of vile images and scenes—torture, decay, violence, death. If the viewer flinched or looked away, a brief electric shock was sent through the chair. If four shocks were administered, the film ended and the door popped open—the viewer had failed. If the viewer endured the film to completion, a trapdoor opened beneath the chair and sent them down a slide, delivering them to a hidden party—a circus of half-clothed dancers and actors paid to fawn over anyone who came down the chute, to ply them with whatever alcohol or drugs or attention they wanted. Potential viewers had to sign a nondisclosure agreement and waiver just to join the queue, though many who lined up never made it into The Pain Room and even fewer made it down the chute. By the end of the run, the secret was out; club kids lined up around the block and nearly rioted when the gallery closed at two in the morning.

that's pretty good

—p.249 Ginny Green (236) by Catherine Lacey 4 weeks, 1 day ago

It would not be unreasonable to say that X and I, in that moment, did not yet know each other except by instinct. We hadn’t yet cohabitated, had endured no hardships, hadn’t traveled together, and had only discussed personal matters in the most cursory ways. Despite this, I felt X knew me better than anyone else, and the moment she called me ruthless I believed myself to be so. Prior to that moment, I may have identified as a rather meek person, a fearful person, someone who was terrified of pain, of difficulty and conflict. But here she was—this enormously powerful woman telling me that I possessed a rare strain of power. I accepted it completely. I immediately became a new creature, one who could accept—without worry or hesitation—that the most important person in her life would disappear for weeks at a time without explanation or assurance of her return.

At the same time, I still carried around those fearful past selves, and the ghost of Henry’s wife still paced in the back of my mind, as did my parents’ silent and nameless daughter, as well as the young woman who once desired the most conventional, stable life possible—a nice living room, a face no one would call ugly, a marriage, the approval of others. In that first year or so with X, I was sometimes haunted by their voices and the worries of those past selves, especially when X was gone.

—p.254 Disappearing (253) by Catherine Lacey 4 weeks, 1 day ago

When I later asked her why she bought the paintings if she didn’t think they were so great, X told me they were her reminder that meaningful work isn’t always “good work” and a challenge to make things that were both good and meaningful. The paintings were also, though my wife was loath to utter such words, an investment.

—p.270 The Human Subject (266) by Catherine Lacey 4 weeks, 1 day ago

By the time I contacted Marion for an interview in 2003, I’d been a widow for long enough that I no longer feared meeting this first wife, though I cannot say I was looking forward to it. I will admit I was intimidated by Marion’s effortless grace—who wouldn’t be? She is a good deal younger than I am, not so much in years but in the way she carries them, and not only in the way she carries them physically but also in her bright and undiminished gaze, that of someone who seems to know no disappointment. You could argue, of course, that physical beauty indicates nothing of any depth about a person, yet few can avoid falling under its spell.

—p.279 Marion (278) by Catherine Lacey 4 weeks, 1 day ago

“She wasn’t afraid to be hostile … and that was something I was very interested in at the time. Unfortunately, I’ve always been one of those people who wants to be liked, one of the most terrible weaknesses a person can have, but what can you do? Of course, everyone’s virtues come with equal and opposite vices, so I was rebelling, I suppose, trying to go against my own nature. And X didn’t care what anyone thought of her! No one at all. She didn’t wait around on anyone’s approval.”

—p.281 Marion (278) by Catherine Lacey 4 weeks, 1 day ago

“Whose thigh is being stabbed here?” the host asks.

“This one,” X said, pointing to one of the drawings.

“What I mean is—metaphorically. What is the metaphor of the thigh?”

“It’s not a metaphor,” X says, almost whispering, staring at the floor. “It’s a part of a leg.”†

aaahh

—p.292 Schuster (291) by Catherine Lacey 4 weeks, 1 day ago