Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.

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[...] No, he thinks, no, no: the only question is how to choose. Should he take the cash prize or the new car, what do you think. Pitting one philosophy against another. Maturity against youth. Yes, sobriety against decadence, intellect against appetite, he could go on. Better instead to specify. On the one hand, the love of his life, high principle of his conscience, his complicated feelings for whom have prevented him, let’s be honest, from developing any kind of serious attachment to anyone else for the last, whatever, fourteen years. Certain difficulties, certain problems to be negotiated, but isn’t that what it means to love someone? On the other hand, his captive, his tormentor, on whom he has lavished how much money, jewellery, gifts, who likes it a little rough, who has with mischievous pleasure outwitted him at every move, and with whom he is feebly and defeatedly in love. Each attempt to contend with her, to win back some little portion of his pride, has only sunk him deeper. Good against evil.

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—p.316 by Sally Rooney 1 year, 6 months ago

[...] Yes, in retrospect, Ivan can see, with the eyes of an adult, that Peter was not coping very well at the time. But in the real chronology of events, Ivan was only sixteen. He had his own problems, his chess, his school, and so on. His painful infatuation with that girl Kelly Heneghan who didn’t seem to know he was alive. Frankly, if he had to admit the truth, Ivan found his brother’s presence in the house uncomfortable. Peter barely spoke to anyone, barely made eye contact. For hours at a time he would just sit staring into space, doing nothing. And he cried, okay, not openly, but you could hear him crying in his room. It was awkward. Ivan had his own life to worry about. What was he supposed to do? In the evenings after school, he started avoiding Peter’s company, excusing himself early from dinner, slipping out of the room whenever Peter entered. Obviously the situation was sad, with Sylvia being in hospital and everything, Ivan was sincerely sad for that, but the doctors said the recovery was going as well as could be expected, and it’s not like Ivan could solve the problem. It was just something he didn’t want to think about, honestly. What good would come from dwelling on it, worrying about it all the time? And the whole thing dragged on and on. Even after Peter moved back to Dublin, he would come home periodically and lie in his room for days on end, not talking, not even eating meals. For a year it was like this, on and off. The brother who had looked out for and defended Ivan was gone, and in his place was this unnerving kind of ghostly presence, practically haunting the house, making everyone feel bad. One of these nights, Ivan woke up thirsty and went downstairs to get himself a glass of water, yes, fine. And in the kitchen he found Peter sitting alone at the table. It was late, maybe three o’clock in the morning, and he tried to creep back out, but Peter had already seen him. You don’t have to run away from me, he said. I’m not a monster. Ivan stood frozen in the doorway, saying nothing. Why even think about all this now? Peter was crying then, openly, with tears running down his face. I’m just really scared, Ivan, he said. I don’t know what to do. I don’t have anyone to talk to. That’s what he said, I’m scared, I don’t have anyone to talk to, that’s how Ivan remembers it. And instead of acknowledging that he had heard these words spoken, Ivan just turned around silently and went back up to bed. It was a conversation he didn’t want to have. Peter was like twenty-six, Ivan was only sixteen or seventeen, it wasn’t any of his business. He was just a child. Wasn’t it, in a way, actually wrong of Peter to put him in that position? [...]

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—p.353 by Sally Rooney 1 year, 6 months ago

[...] She’s sitting at the table he can tell from the directionality of her voice though he can only from here see the ceiling and part of the far wall. Clink of teaspoon also he hears. I don’t know, says Sylvia. I think it might have been the shock of seeing us in the same room together. Allowing his eyes to close he lets out something like a groan hearing them both laughing. Help, says Naomi. My girlfriends have unionised. Okay I’m getting up, he says, I’m getting up now, I’m fine. [...]

lol

—p.414 by Sally Rooney 1 year, 6 months ago

I was seriously worried about you, she says. I’m not even going to tell you where my mind went.

He says nothing.

You know if anything happened to you, that would be horrific for me, she goes on.

I don’t really want that responsibility, he remarks.

He’s looking out the window still but he can see her shaking her head. Yeah, well, tough, she says. How are you thirty-two and you’re like, I don’t want the responsibility. You think you can vanish into thin air and it won’t affect me?

Yes I would like he thinks to live in such a way that I could vanish into thin air at any time without affecting anyone and in fact I feel that for me this would constitute the perfect and perhaps the only acceptable life. At the same time I want desperately to be loved. Aloud he says: Whatever, I don’t know.

—p.416 by Sally Rooney 1 year, 6 months ago

Social as well as philosophical of course: the problem. All very well if Emily knows or suspects, or if Janine, or Max, Leah, even Gary, maybe. But what about people in general, the public, the whole of Dublin talking. And with that idea in mind he almost wants to forget the idea, throw both of them over and find some nice normal girl instead, someone without any radical intellectual commitments or bizarre sexual proclivities, yes, someone normal. Get married, give Christine a few grandkids. Overhear the other legal wives saying pleasantly: She’s so nice. To spend his life making conversation with such a person, working to finance the lifestyle of such a person, would, of course, represent a kind of spiritual death for him. But perhaps that would be preferable to the kind of social death that awaits him now. What will he tell people, what will he say. What does he think he’s doing. Not to hold anything above anything else, to keep everything equal: a delusion, not even a fantasy, a burdensome quasi-administrative task at which he can only repeatedly fail. Encountering in everyday situations new irreducibly complex dilemmas, thickets of intersecting desires and preferences. Having to meet the needs of the moment, every moment, forever. But why. Why should it be so difficult. He likes her, likes the other, and they both like him. To hold a little space for that. Surely everyone knows and accepts privately that relationships are complicated. Forget anyway about what people think. If it were anyone else after all. He would be the first to say what harm, no one else’s business, good for them. Why should you care, what are you so insecure about. No one is taking your beloved monogamy away, don’t worry. [...]

omg stop it's literally fine

—p.428 by Sally Rooney 1 year, 6 months ago

Waiting then in silence empty-handed. Suspended floating, overwarm, heavy overcoat he hasn’t taken off. Before him the flat grey plane of the closed door. And was it real he wonders. She, the raincoat, flower-like her face, the live stream, captured pawn. You’re being very decent she said. Half in love with her himself by the time she was walking away. How is it possible he could have been so wrong about everything. Sitting there beside him quietly she seemed to embody the inexpressible depth of his misunderstanding: of her, his brother, interpersonal relations, life itself. And yet she didn’t remonstrate. I can imagine what you must think of me. To imagine, Ivan. To credit him that is with such taste. Like the Italian girlfriend he stared at over dinner. One thing to look of course. A woman like that: difficult actually to believe. Beautiful, yes, but not just that. Something more also. The way she held herself. [...]

—p.440 by Sally Rooney 1 year, 6 months ago

[...] Correcting undergraduate essays together in the evenings, reading aloud the worst sentences to make each other laugh. On her little stereo system, the Barenboim recording of the 40th Symphony. Walking over together to their tenants’ union meetings arm in arm, heads bent, absorbed in conversation. With his fingers now he wipes his eyes. The image of that life: how beautiful, how painful, to believe it could after all be possible. For so long it has hurt too much even to think. And now everything hurts so much all the time that to think makes no difference, to think even lends a kind of sweetness to the terrible pain. The life they could have had together. The refuge of a shared home, their books, furniture, watercolours. Gatherings at the kitchen table, friends calling round for dinner, arguing, laughing. The love they could have given to their own children. Wanted to give. Impossible ever to feel again like a good person, even halfway good, when all the good he had wanted to do in life was closed off to him forever. Had no route left through which to travel. Remained inside him, trapped, festering, turning into something stranger and worse. Proliferation of inappropriate attachments. Holding hard, harder, clutching, not letting go. Well, if that’s suffering, he thinks, let me suffer. Yes. To love whoever I have left. And if ever I lose someone, let me descend into a futile and prolonged rage, yes, despair, wanting to break things, furniture, appliances, wanting to get into fights, to scream, to walk in front of a bus, yes. Let me suffer, please. To love just these few people, to know myself capable of that, I would suffer every day of my life. [...]

—p.324 by Sally Rooney 1 year, 6 months ago

The secret of being happy consists of knowing how to enjoy yourself -- enjoy being at table, in bed, enjoy standing up, sitting down, enjoy the nearest ray of sunshine, the slightest bit of landscape: in other words, love everything. Thus it follows that to be happy you must already be so -- there's no bread without leavening.

—p.19 Intimate Notebook 1840-1841 (13) by Gustave Flaubert 1 year, 3 months ago

When you write, you feel how it must be, you know that at such a spot a certain thing is needed, at another spot something else; you compose pictures for yourself that you see, you have rather the feeling that you are going to bring something to flower; you feel it in your heart like the distant echo of all the passions you are going to create; and the inability to render all that is the eternal despair of those who write; the poverty of languages, which have scarcely one word for a hundred thoughts; the weakness of man, who cannot find approximations -- and to me it is an eternal anguish.

Oh my God, my God, why did you cause me to be born with so much ambition? [...]

—p.25 Intimate Notebook 1840-1841 (13) by Gustave Flaubert 1 year, 3 months ago

[...] A milk cow only lactates if she has recently given birth, and this means that each dairy cow must be bred back roughly once a year. Calving is continual, and crucial. At the same time, the calf must be displaced so that it does not consume the bulk of the milk that is to be collected and sold. [...] The mothers cried out for their calves all through the night, and the night after, and the night after that. [...]

somehow i never thought about the reality of what it meant to consume cow's milk

—p.101 I may not be the one you want, but I am the one for you (83) by Alexandra Kleeman 6 years, 8 months ago