Welcome to Bookmarker!

This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

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“[...] He’s calling to those rabbits like they know their names and are going to be happy to see him. I’m thinking, isn’t he amazed by how quickly I got here? Isn’t he going to at least mention it? I was redlining his Jaguar. I pissed in a Dr Pepper bottle. When it was full I pissed in a potato chips bag. I broke the law. Gave up a night’s sleep. Forwent the tube socks at the truck stop.”

“Incredible self-control,” Sandro said.

“All in the name of doing Saul a favor. I mean, you try to help a person. He opens the car door and leans in the back and makes this sound. A wailing. High-pitched.”

“Oh, no,” Sandro said, and put his hands over his face, feigning a brace for disaster.

“Yeah, that’s right. Those goddamn rabbits were dead.”

“You forgot to check on them.”

“My job was transport. And I didn’t hear any complaints from back there. But I had the windows down and there was a lot of truck traffic — especially on the 10. I don’t know what happened. They just… died.”

incredible story

—p.142 by Rachel Kushner 5 years, 6 months ago

“The great thing is, it’s a buyer’s market right now,” his voice said from the machine. “Then again, if you want to sell, it’s a great time to do so, because it’s a seller’s market right now, too.

“Home. We say ‘home,’ not ‘house.’ You never hear a good agent say ‘house.’ A house is where people have died on the mattresses. Where pipes freeze and burst. Where termites fall from the sink spigot. Where somebody starts a flu fire by burning a telephone book in the furnace. Where banks repossess. Where mental illness takes hold. A home is something else. Do not underestimate the power in the word home. Say it. ‘Home.’ It’s like the difference between ‘rebel’ and ‘thug.’ A rebel is a gleaming individual in tight Levi’s, a sneering and pretty face. The kind Sal Mineo wet-dreams. A thug is hairy and dark, an object that would sink to the bottom when dropped in a lake. A home is maintained. Cared for. Loved. The word home is savory like gravy, and like gravy, kept warm. A good realtor says ‘home.’ Never ‘house.’ Always ‘cellar’ and never ‘basement.’ Basements are where cats crap on old Santa costumes. Where men drink themselves to death. Where children learn firsthand about sexual molestation. But cellar. A cellar is where you keep root vegetables and wine. Cellar means a proximity to the earth that’s not about blackness and rot but the four ritual seasons. We say ‘autumn,’ not ‘fall.’ We say ‘The leaves in this area are simply magnificent in autumn.’ We say ‘simply magnificent,’ and by the way, ‘lawn,’ not ‘yard.’ It’s ‘underarm’ to ‘armpit.’ Would you say ‘armpit’ to a potential buyer? Say ‘yard’ and your buyer pictures rusted push mowers, plantar warts. Someone shearing off his thumb and a couple of fingers with a table saw. A tool shed where water-damaged pornography and used motor oil funneled into fabric softener bottles cohabitate with hints of trauma that are as thick and dark as the oil. I’m not talking about Playboy or Oui. Harder stuff. Amateur. Pictorials featuring married people with their flab and bruises and smallpox vaccines, doing things to each other in rec rooms and sheds like the one housing these selfsame magazines. Middle-aged couples who get trashed on tequila and document with a supply of flash cubes. You have to be careful about words. You’re thinking about your commission, your hands are starting to shake at the idea of the money, and meanwhile your client hears ‘yard’ and sees himself nudging icky amateur porno with his foot, potato bugs scattering from their damp hideout underneath. Again, it’s ‘lawn.’ ‘Lawn’ means crew-cut grass. It means censorship, nice and wholesome. It means America. And you know what I mean by America, and by the way, ‘cul-de-sac.’ Not ‘dead end.’ If I have to explain that, you’ll never pass the exam to get your license. We say ‘dinner.’ Never ‘supper.’ ‘Dinner’ is the middle class, semi-religious… Christian… Christianesque. ‘Dinner’ is a touch-tone doorbell with a little orange light glowing from within the rectangular button. The bell is there for expected guests. People carrying warm dishes covered with gingham checked cloth — the cloth, needless to say, has been laundered with stain remover. The type of people with stained old dishrags are not going to press this doorbell. No one with a beard. No one with a grievance. Only people who share the values of the hosts. ‘Thank you for having us to dinner in your lovely home.’ Say ‘dinner.’ Say ‘home.’ Say ‘lawn.’ Don’t be afraid. Like prayer, through repetition and habit, these words will begin to—”

Stanley shut off the reel-to-reel machine.

i kinda love this (tho the format is a little gimmicky)

—p.163 by Rachel Kushner 5 years, 6 months ago

I thought of the girl in the photo in Ronnie’s studio, the one on layaway. She was probably waiting for him this very moment, somewhere downtown. Checking the clock, applying lipstick, concentrating herself into an arrow pointed at Ronnie. Doing the various things women did when they had to wait for something they wanted.

—p.177 by Rachel Kushner 5 years, 6 months ago

Sandro was telling Burdmoore, who was up front, about my motorcycle crash on the salt flats, and how I’d ended up driving the land speed vehicle that his family sponsored, and I sensed he was framing the story as far-fetched, outlandish, but I could have been projecting, since there was a divide between us on the subject. Burdmoore turned around and looked at me with a certain amusement, not unsexual, but not lustful, either. The facts of the story made him a little curious, that was all. A funny thing about women and machines: the combination made men curious. They seemed to think it had something to do with them. This should have been amusing to me, the expression on Burdmoore’s face as Sandro recounted the story. But I was focused on Ronnie and Talia, on the way he was making her laugh. Taxi-dino, innuendo. Pointing out a green-and-yellow Blimpie’s sign, “There! One of ours!” Her laughter penetrating his fake sincerity like carbonation.

—p.178 by Rachel Kushner 5 years, 6 months ago

It was late and dark and smoky at Rudy’s. The booth had broken into several conversations, Ronnie next to Saul Oppler, who had fully forgiven him for killing his rabbits. Ronnie was looking at Saul’s hands. “Saul,” he said, “you have no fingerprints.” Saul looked at his own hands, old and giant and strong, hands that looked like they could pulverize rocks. He examined his smooth fingerpads and shrugged. He said he used his hands. To make paintings. Just worked the prints right off, he said.

Ronnie said he never knew it could be that easy.

“What do you mean, easy?” Saul said. “I’ve been in the studio for forty-eight years. You call that easy?”

“I meant getting rid of your—”

“I didn’t get my first solo show until I was thirty-seven years old! Easy. To hell with it,” Saul said.

this is hilarious cus it's soon after Ronnie has told a story about his brother burning off his fingerprints at the age of 18

(dialogue inspo: no adjectives, the emotion clearly visible through the speech itself)

—p.210 by Rachel Kushner 5 years, 6 months ago

[...] according to the Brazilian overseer Valera hired. The overseer said you could not predict. You would not know, by guessing, which of the tappers would come in at quota, which of them would come in under quota, and which of them would die.

Yellow fever, the patrão said, they die of yellow fever.

A rubber worker with a.22-caliber hole in his head:

Yellow fever, it’s written in the booklet.

Another with a hole in his back:

Yellow fever.

A third with an ice pick pushed through his neck, because the patrão’s flimsy muzzle-loader, with its cheap wire-wound barrel, unraveled:

Y.f.

The Valera Company guns the patrão was given were good for fifty shots and then they fell apart. He wrote to the company’s contact in São Paulo about the faulty equipment but was told there was nothing to be done about it.

It was important to keep these Indians on edge, so the patrão had to find ways. The Indians needed threats. They needed to be afraid. They might run away. Or sell the rubber to rubber pirates who roamed the edges of the encampment, and then the patrão would lose his profit share. You could hear these bandits, their cracks and rustlings in the jungle. The patrão’s job was to keep the Indians in line. His tools were the cheap muzzle-loaders, mock drownings with water poured over a facecloth, and various further entrenchments of the Indians’ peon status. They owed a fee for having been brought to the Amazon. They owed for their purchase on credit of goods at the company store. They were forbidden subsistence activities. No collecting Brazil nuts. No growing of crops (anyone caught farming: y.f.).

daaaaamn

inspo for pano scene when things get really bad at the warehouse?

—p.213 by Rachel Kushner 5 years, 6 months ago

The evening Roberto was expected back from Rome was a Sunday, which was the staff’s day off. Signora Valera complained bitterly that the staff hid from her on Sundays.

“It isn’t how things used to be. When you have a staff and they live on the grounds, you don’t pretend you don’t see them on Sundays! If they are there and something needs to get done, it used to be they would simply do it. They certainly wouldn’t claim arbitrarily that because it was Sunday, they could not. Or worse, pretend not to see me, or think they don’t have to answer when I ring them. Everyone is counting their hours and overtime now. They want to buy a stupidity box,” she said, meaning a television, like the one she watched many hours of each night. That was when I had sympathy for Sandro’s mother, imagining that it was a relief to be upstairs and alone. Where she could safely feel herself to be what she was, a counter of ham slices. There would be no pretending in her private quarters. She could be done with the constricting ribbons of her stacked espadrilles, which caused her swollen ankles to bulge in a crisscross waffle pattern, off duty from the vigilance of meting out her venom in controlled little gasps. Her bedroom television at an obscene volume, in that cell of noise she could be the kind of person who enjoyed her stupidity box. Every night I heard the familiar harmonica wail, loud and distorted, of Sanford and Son leak through the closed door that led up the stairs, the voice of an Italian-dubbed Lamont, Babbo, ma dai! Smettila, Babbo!

lol

—p.253 by Rachel Kushner 5 years, 6 months ago

“But you can’t possibly know Rome by seeing it once,” he said, “as a tourist.” He was right. I could never know the Rome that Roberto knew. Just as the villa itself, even if unpleasant, was an experience of Italy to which I would have had no access as a student in Florence. It seemed to me that if you were poor and went to a foreign place, you met poor people who weren’t all that foreign to you, like the bikers and their girlfriends I’d hung around with at the squalid bar near the train station in Florence. And the opposite was probably true, too. For the rich, the world would be a series of elegantly appointed rooms, similar rooms and legible social customs, familiar categories of privilege the world over.

—p.255 by Rachel Kushner 5 years, 6 months ago

Demonstrations were temporarily banned by the government. There was to be no loitering, no collecting in groups. People all over the city responded to this. Someone figured out how to trip the traffic lights, and they all turned red and stayed red for an afternoon, causing gridlock. Other acts were coordinated by the radio station that was broadcast from inside the apartment, a soundproofed room next to Bene’s. Durutti went on the air and invited Romans who were hungry to go out, order food, eat it, and refuse to pay. The radio station was a central coordinating voice. Not a government, but a way to speak to each person, a voice addressing each autonomous person. These are the new figures for rent, the voice said. Pay this amount to the electric company. The things Roberto complained about: this was how they were done. The radio pulsed through a network. A network of people who acted in concert against the government, against the factories, against everything that was against them. We’ll take what we can and pay what we want. We’ll pay nothing for what is already ours. Bene and Lidia hosted an hourlong morning show addressed to women. One day it was dedicated to the housewives of Rome; the next, to the working prostitutes of Termini. To the women in the armed struggle. The women inside Rebibbia. To the men who have reduced the world to a pile of trash. To our lesbian comrades. The show was called Everyday Violence.

SO COOL

—p.285 by Rachel Kushner 5 years, 6 months ago

“Hey, listen. I don’t know what you were doing over there in Italy besides having melodramas with Sandro. But the place must suit you or something. You look good.”

“Thanks,” I said, fairly sure I looked no different. I was in cutoffs and knee-high socks, the men’s kind with blue and red stripes around the ribbing at the top. Those socks weren’t allowed when I was with Sandro. “Come on, seriously,” he’d say. “You’ll make me look like your father, like I’m taking you to your basketball game.”

I had on a leather jacket; maybe that was the difference Ronnie noticed. And I had the bike, outside, unseen, but it had become a kind of mental armor.

“Yeah, you look like you’ve grown up a little.” He was looking at me from various angles. “See, now you’re doing that whole smiling-woman thing. That’s good.”

I’d had a fantasy, back at Sandro’s mother’s villa, of saying something to Ronnie, letting him know he was a bastard for giving Talia my hat. But now I couldn’t bring myself to do it. Talia wasn’t here. She didn’t matter. I would make her matter by bringing her up.

thought: all the different unspoken minor choices that build up and shape a relationship. that shape what matters.

—p.302 by Rachel Kushner 5 years, 6 months ago