Welcome to Bookmarker!

This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

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[...] "[...] And strong works of fiction are what refuse to give easy answers to the conflict, to paint things as black and white, good guys versus bad guys. They’re everything that pop psychology is not."

—p.82 Why Bother? (55) by Shirley Brice Heath 7 years ago

Writing is a form of personal freedom. It frees us from the mass identity we see in the making all around us. In the end, writers will write not to be outlaw heroes of some underculture but mainly to save themselves, to survive as individuals.

—p.95 Why Bother? (55) by Don DeLillo 7 years ago

It's healthy to adjust to reality. It's healthy, recognizing that fiction such as Proust and Faulkner wrote is doomed, to interest yourself in the victorious new technology, to fashion a niche for yourself in the new information order, to discard and then forget the values and methods of literary modernism which older readers are too distracted and demoralized to appreciate in your work and which younger readers, bred on television and educated in the new orthodoxy of identity politics and the reader's superiority to the text, are almost entirely deaf and blind to. [...] Healthy, when you discover that your graduate writing students can't distinguish between "lie" and "lay" [...]

apropos of nothing, the "lie" and "lay" thing was in Purity i think lol

—p.200 Scavenging (195) by Jonathan Franzen 6 years, 11 months ago

[...] Not long ago, one of my former undergraduate workshop students came to visit, and I took him on a walk in my neighborhood. Jeff is a skilled, ambitious young person, gaga over Pynchon's critique of technology and capitalism, and teetering between pursuing a Ph.D in English and trying his hand at fiction. On our walk I ranted at him. I said that I too had once been seduced by critical theory's promise of a life unco-opted by the System, but that after my initial seduction I came to see that university tenure itself--the half-million-dollar TIAA-CREF account in your name, the state-of-the-art computer supplied to you at a university discount by the Apple Corporation for the composition of your "subversive" monographs--is the means by which the System co-opts the critical theorist. I said that fiction is refuge, not agency.

Then we passed a delicious trash pile, and I pulled from it a paint- and plaster-spattered wooden chair with a broken seat and found a scrap of two-by-four to knock the bigger clumps of plaster off. It was grubby work. Jeff said: "This is what my life will be like if I write fiction?"

—p.210 Scavenging (195) by Jonathan Franzen 6 years, 11 months ago

Among things Julie Smith dislikes most are: greeting cards, adoptive parents who adopt without first looking inside themselves and evaluating their capacity for love, the smell of sulphur, John Updike, insects with antennae, and animals in general.

idea for DFW story (the list of dislikes, including an author relevant to DFW)

—p.12 Little expressionless animals (1) by David Foster Wallace 7 years ago

Faye's thongs slap. She wipes her forehead and considers.

"I'm in love with a guy and we get engaged and I start going over to his parents' house with him for dinner. One night I'm setting the table and I hear his father in the living room laughingly tell the guy that the penalty for bigamy is two wives. And the guy laughts too."

riffing on an idea (trope for DFW story)

—p.35 Little expressionless animals (1) by David Foster Wallace 7 years ago

Meanwhile, below the Staff Garage below the street, in the hugely echoing and deserted Executive Garage, the Account Representative had ripped the spreading cloth from the queer recession and was positively having at the Vice President in Charge of Overseas Production's defective heart. He administered CPR, beating at the soft dent of a chest's breastbone, alternating quartered beatings with infusions of breath down through the senior stricken executive's full but faintly blue lips and tilted head and into the rising sunken chest, the chest falling, the Account Representative taking affordable time and breath at every possible fourth-beat pause to call "Help" in the directions of the quiet street as, using CPR, he kept the Vice President in Charge of Overseas Production minimally alive, until help could arrive, as he had been trained and certified by the petite new-Bohemian almond-eyed Red Cross volunteer instructor—by whom, he remembered, all the students had volunteered to be straddled and infused, and whom the Account Representative had, one spontaneous and quartz-lit evening, bought a cup of coffee and a slice of nine-grain toast, and had asked to the Sales Trainees' Annual Formal, and had married—certified by her to do, one never knowing when it could save a life, he seduced utterly by his fiancee's dictum that you erred, in doubt, always on the side of prepared care and readiness to preserve minimal life-function, until help could arrive, his arms and lumbar beginning now to burn as he beat, bent, at the supine senior executive, pausing to call "Help" again and loosen his own stiff collar, sweat moving oily on the tight skin beneath his own newer lined topcoat and gray knit clothes, his own breath coming harder as he kept the inca-pacitated Vice President in Charge of Overseas Production mini-mallY alive, pending the arrival of help, at well past ten, amid Complete emptiness, calling "Help" unheard, the happily married and blankly kind grandfather of one person's own life now literally the junior executive's, to have and to hold, for a lifetime, amid swirls of forgotten exhaust, beneath the composed and watchful eye of his decapitated cycle's light.

cool paragraph (with the whole love story embedded within). idea for DFW story

—p.51 Luckily the account representative knew CPR (43) by David Foster Wallace 7 years ago

"Lyndon looked over at my corner only once, when I lit a smoke, baring his teeth until I put the long cigarette out in a low ceramic receptacle I prayed was an ashtray."

idea for DFW story

—p.82 Lyndon (75) by David Foster Wallace 7 years ago

'I was home again for Christmas: as of the evening of 27/12, we were drinking champagne, lying on her leopard-skin rug.'

'I told him a hundred times it wasn't a leopard-skin rug: the last tenant just had a dog.'

idea for DFW story (MC and his wife)

—p.154 Here and there (149) by David Foster Wallace 7 years ago

'And then all of a sudden it's like he suddenly wasn't there.'

'At this point she'd bring up how I seemed suddenly distant. I would explain in response that I had gotten, suddenly, over champagne, an idea for a truly central piece on the application of state variable techniques to the analysis of small-signal linear control systems. A piece that could have formed the crux of my whole senior year's thesis, the project that had occupied and defined me for months.'

'He went to his Dad's office at the University and I didn't see him for two days.'

'She claims that's when she began to feel differently about things. No doubt this new Statistics person comforted her while I spent two sleepless, Coke-and-pizza fueled days on a piece that ended up empty and unfeasible. I went to her for comfort and found her almost hostile. Her eyes were dark and she was silent and trying with every fiber to look Unhappy. She practically had her forearm to her forehead. It was distressed-maiden/wronged-woman scenario."

[...]

'She regarded the things that were important to me as her enemy, not realising that they were, in fact, the "me" she seemed so jealously to covet.'

just a cool idea (different priorities - inspiration for MC and his wife)

—p.154 Here and there (149) by David Foster Wallace 7 years ago