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Ken let Carson do most of the talking now; he was more than content just to sit there, smiling around this tableful of friends with all the serenity of a well-fed young priest. It was the happiest evening of his life in Europe, to a degree that even Carson would never have guessed. In the space of a few hours it filled all the emptiness of his past month, the time that had begun with Carson’s saying, “Go, then. Can’t you go to Cannes by yourself?” It atoned for all the hot miles walked up and down the Croisette on blistered feet to peek like a fool at girls who lay incredibly near naked in the sand; for the cramped, boring bus rides to Nice and Monte Carlo and St. Paul-de-Vence; for the day he had paid a sinister druggist three times too much for a pair of sunglasses only to find, on catching sight of his own image in the gleam of a passing shop window, that they made him look like a great blind fish; for the terrible daily, nightly sense of being young and rich and free on the Riviera—the Riviera!—and of having nothing to do. Once in the first week he had gone with a prostitute whose canny smile, whose shrill insistence on a high price and whose facial flicker of distaste at the sight of his body had frightened him into an agony of impotence; most other nights he had gotten drunk or sick from bar to bar, afraid of prostitutes and of rebuffs from other girls, afraid even of striking up conversations with men lest they mistake him for a fairy. He had spent a whole afternoon in the French equivalent of a dime store, feigning a shopper’s interest in padlocks and shaving cream and cheap tin toys, moving through the bright stale air of the place with a throatful of longing for home. Five nights in a row he had hidden himself in the protective darkness of American movies, just as he’d done years ago in Denver to get away from boys who called him Lard-Ass Platt, and after the last of these entertainments, back in the hotel with the taste of chocolate creams still cloying his mouth, he had cried himself to sleep. But all this was dissolving now under the fine reckless grace of Sid’s piano, under the spell of Carson’s intelligent smile and the way Carson raised his hands to clap each time the music stopped.
rough
They had slept till noon and gone to the beach after lunch, for Ken didn’t mind the beach when he wasn’t alone, and before long they had picked up two American girls in the easy, graceful way that Carson always managed such things. One minute the girls were sullen strangers, wiping scented oil on their bodies and looking as if any intrusion would mean a call for the police, the next minute they were weak with laughter at the things Carson was saying, moving aside their bottles and their zippered blue TWA satchels to make room for unexpected guests. There was a tall one for Carson with long firm thighs, intelligent eyes and a way of tossing back her hair that gave her a look of real beauty, and a small one for Ken—a cute, freckled good-sport of a girl whose every cheerful glance and gesture showed she was used to taking second best. Ken, bellying deep into the sand with his chin on two stacked fists, smiling up very close to her warm legs, felt almost none of the conversational tension that normally hampered him at times like this. Even when Carson and the tall girl got up to run splashing into the water he was able to hold her interest: she said several times that the Sorbonne “must have been fascinating,” and she sympathized with his having to go back to Denver, though she said it was “probably the best thing.”
andrew inspo
Ken didn’t know whether to giggle or vomit; both desires were suddenly strong in him, though his face held straight. For a long time afterwards he would remember how the swabbed black plastic of the table looked between his two unmoving hands, how it seemed the only steady surface in the world.
“Say,” Sid said, backing away toward the piano with a glazed smile. “What is this here? Some kinda conspiracy here?”
Carson allowed a heavy silence to develop. Then with an air of sudden, mild remembrance, seeming to say, Oh yes, of course, he rose and walked over to Sid, who backed up confusedly into the spotlight. Facing him, he extended one limp finger and touched him on the shoulder. “Buzz,” he said. “Does that take care of it?” He turned and walked back to his seat.
Ken prayed for someone to laugh—anyone—but no one did. There was no movement in the room but the dying of Sid’s smile as he looked at Carson and at Ken, the slow fleshy enclosing of his teeth and the widening of his eyes.
“What’s the trouble, Ken?” he said. “Don’t you think that was funny?”
It wasn’t what he said that mattered—for a minute it seemed that nothing Carson said would ever matter again—it was that his face was stricken with the uncannily familiar look of his own heart, the very face he himself, Lard-Ass Platt, had shown all his life to others: haunted and vulnerable and terribly dependent, trying to smile, a look that said Please don’t leave me alone.
Ken hung his head, either in mercy or shame. “Hell, I don’t know, Carson,” he said. “Let’s forget it. Let’s get some coffee somewhere.”
“Right.” And they were together again. The only problem now was that they had started out in the wrong direction: in order to get to the Croisette they would have to walk back past the lighted doorway of Sid’s place. It was like walking through fire, but they did it quickly and with what anyone would have said was perfect composure, heads up, eyes front, so that the piano only came up loud for a second or two before it diminished and died behind them under the rhythm of their heels.
acckkk
BUILDING SEVEN, THE TB building, had grown aloof from the rest of Mulloy Veterans’ Hospital in the five years since the war. It lay less than fifty yards from Building Six, the paraplegic building—they faced the same flagpole on the same windswept Long Island plain—but there had been no neighborliness between them since the summer of 1948, when the paraplegics got up a petition demanding that the TB’s be made to stay on their own lawn. This had caused a good deal of resentment at the time (“Those paraplegic bastards think they own the goddamn place”), but it had long since ceased to matter very much; nor did it matter that nobody from Building Seven was allowed in the hospital canteen unless he hid his face in a sterile paper mask.
god he's funny
Building Seven was a world of its own. It held out a daily choice between its own kind of virtue—staying in bed—and its own kind of vice: midnight crap games, AWOL, and the smuggling of beer and whiskey through the fire-exit doors of its two latrines. It was the stage for its own kind of comedy—the night Snyder chased the charge nurse into the fluoroscopy room with a water pistol, for instance, or the time the pint of bourbon slipped out of old Foley’s bathrobe and smashed at Dr. Resnick’s feet—and once in awhile its own kind of tragedy—the time Jack Fox sat up in bed to say, “Chrissake, open the window,” coughed, and brought up the freak hemorrhage that killed him in ten minutes, or the other times, two or three times a year, when one of the men who had been wheeled away to surgery, smiling and waving to cries of “Take it easy!” and “Good luck t’ya, boy!” would never come back. But mostly it was a world consumed by its own kind of boredom, where everyone sat or lay amid the Kleenex and the sputum cups and the clangor of all-day radios. That was the way things were in C Ward on the afternoon of New Year’s Eve, except that the radios were swamped under the noise of Tiny Kovacs’s laughter.
amazing
“Well, very nice,” he said. “I won’t take time to read this other one now, but this first one’s very nice. ’Course, naturally, as you said, this is a very different kind of material you got here, so it’s a little hard for me to—you know—” and he dismissed the rest of this difficult sentence with a wave of the hand. “I’ll tell you what, though, Bob. Instead of just reading here, let me ask you a couple of questions about writing. For example.” He closed his eyes and delicately touched their lids with his fingers, thinking, or more likely pretending to think, in order to give added weight to his next words. “For example, let me ask you this. Supposing somebody writes you a letter and says, ‘Bob, I didn’t have time to write you a short letter today, so I had to write you a long one instead.’ Would you know what they meant by that?”
Don’t worry, I played this part of the evening pretty cool. I wasn’t going to let twenty-five bucks get away from me without some kind of struggle; and my answer, whatever sober-sided nonsense it was, could have left no doubt in his mind that this particular writing candidate knew something of the difficulty and the value of compression in prose. He seemed gratified by it, anyway.
lmao
There was the roof and there was the chimney top of it; there were all the windows with the light coming in; there was another approving chuckle from Dr. Alexander Corvo and another submission to the Reader’s Digest; there was another whisper of a chance for a Simon and Schuster contract and a three-million-dollar production starring Wade Manley; and there was another five in the mail for me.
Then she asked me if I wanted to know something, and without waiting to find out whether I did or not, she told me. She told me I was just about the biggest snob and biggest bully and biggest all-around loud-mouthed jerk she’d ever come across in her life.
One thing led to another after that; by the time we were on the subway for our enjoyable get-together with the Silvers we were only barely on speaking terms, and I can’t tell you how grateful I was to find that the Silvers, while staying on ginger ale themselves, had broken out a bottle of rye for their guests.
“I will! I will! I’ll certainly do that for you, Bob,” he said, and so I was glad I’d put it that way. “And now, what I called you about is this.” And he chuckled. “Oh, don’t worry, no politics. Here’s the thing. I’ve got this really terrifically talented boy working for me now, Bob. This boy’s an artist.”
And great God, what a sickly, intricate thing a writer’s heart is! Because do you know what I felt when he said that? I felt a twinge of jealousy. “Artist,” was he? I’d show them who the hell the artist was around this little writing establishment.
But right away Bernie started talking about “strips” and “layouts,” so I was able to retire my competitive zeal in favor of the old, reliable ironic detachment. What a relief!
“Oh, an artist, you mean. A comic-strip artist.”