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Whatever space Geronima would have needed to find a way to face what she had done was not provided in prison. Prison was a place where you had to be strong to get through each day. If you thought about some awful act you’d committed, every day, in graphic detail, enough to prove to a parole board that you had insight, the proverbial insight they wanted, needed, to let you go home, you might lose your mind. To stay sane, that was the thing. To stay sane you formed a version of yourself you could believe in.
And if she did show insight, tell them what was on her mind the day she killed her husband, why and how she did it and what she felt after, excitement, guilt, denial, fear, revulsion, if she showed the board how honest and precise she could be in her knowledge of her crime and why she committed it, if she spoke openly about the impact it had on her victim and on others, on society, if she trotted out the whole horror of it, she would, at the same time, freshly reactivate for the parole board all the reasons why they had wanted to lock her up. You could not convince them. There was no way to win.
Our Lady of the Valley smelled like the lining of an old woman’s purse. Our Lady’s Pocketbook, which had been collecting powdery makeup residue and mold spores for decades. Gordon had no religion, though the idea of mercy, offered by churches, a Christian god, but never the state, had been in his thoughts. He sat down at the end of a row of pews. On the other side of the aisle was a confession booth. The sinner’s side had a screen for talking to the priest. The screen was a metal plate randomly hole-punched. It looked like a road sign riddled with bullets.
Wind was moving through the church, from a single propped door in the back. Papers somewhere lifted and flapped, suggesting presence, but then again not. Suggesting wind stirring papers, and no one present, except Gordon. He stared into the vents, from his seat on the pew.
There were real, epistemological limits to knowledge. Also, to judgment.
I can only know myself, if I can know anyone. I can only judge me.
There’s a pizza place up Irving, Hauser said. They spin the dough in the windows.
I saw everything. The stretching floury disks that collapsed on the hands of the dough makers in their chef’s hats, fists working the disks around, dough growing in girth, orbit, then back up in the air. I saw the huge wreath of flowers that hung from the closed entrance one morning, announcing the death of the old man, the pizza patriarch. I’d never seen a wreath that large. I was eight or nine. Not yet into trouble. I linked flowers with death. That huge wreath connected them for me.
I saw the shining lid of the ocean from Irving Street, the way it rose, on a clear day, like something that breathed, that was alive, down at the end of the avenues.
Hauser had a lost quality. He wasn’t someone who seemed to have much happening outside work. Not that he discussed his life with us. He did not. At Stanville, he was an oddball to the rest of the staff. The guards made fun of him, mostly as a way to make fun of us. Go teach those dumb bitches to read, Mr. Hauser. Teach those cows two plus two. They thought what he spent his life doing was pointless, not a worthy endeavor like watching us on security monitors or masturbating in a guard tower.
There was a prisoner named Lindy Belsen who had been convicted as a juvenile and had her sentence commuted by the governor. She was famous at Stanville. A team of volunteer lawyers had gathered around her. They built up her case as a story of human trafficking. She’d shot her pimp in a motel room. He’d groomed her for prostitution from the age of twelve. It was a sad story, and maybe she deserved to go free, but the way her lawyers positioned her as an undisputed innocent was difficult for the rest of us. Lindy Belsen was an ideal face for free-world activists who wanted a model prisoner to fight for. She was pretty, and spoke like an educated person. But most important, she could be depicted, convincingly, as a victim, not a perpetrator. A lot of people in the prison resented Lindy Belsen, because what did her story, the story her lawyers told, say about the rest of us? Few were happy for her when she left.
“They cut the head off my penis,” the POW said.
“Don’t tell me about that.”
“I apologize,” he said. “Hey, could you spare anything?”
I handed him a dollar, because there was still no sign of the bus and I wanted him to move away. He took the dollar, opened his wallet, but before putting the bill in, he turned the wallet around, so that I would not see what other bills he had in there. It’s always this way. Crazy people only lose their cunning last, if they ever lose it.
The bus arrived. I sat in the back. The ghost of my childhood lives in the back of buses. It says, What’s up, juts its chin. The POW sat in the handicapped seats up front, struck up a conversation, bothered someone else. He got off at the Arco farther down Glendale, where heroin is bought and sold. I was watching him out the window. I craned my neck to see if he was scoring dope. But what gave me the goddamned right to take note of what he did and where he went? You can’t own someone for a dollar.
Eva was a professional. One of those girls who always had a lighter, bottle opener, graffiti markers, flask, amyl nitrate, Buck knife, even her own sensor remover—the device that department store clerks used to remove theft prevention clips from new clothes. She stole it. The rest of us ripped out the sensors forcibly before leaving the store with our stolen loot. A sensor in a dressing room was a giveaway, so we took them with us, crammed up under our armpits, which muffled the sensor, deadened it to the detection alarm. We were not kleptomaniacs. That’s a term for rich people who steal by compulsion. We were finding innovative ways to acquire makeup and perfume and purses and clothes—all the normal things a girl would be expected to have and want, and which we could not afford.
so good
When I first arrived, these neighbors had tried to be friendly to me but I kept my distance. They were hard to look at. Shaved eyebrows, sallow skin, dyed black hair, black painted fingernails, a vintage black hearse. Victor did some plumbing work over there and said they kept a baby coffin in the kitchen for their canned foods. They had just bought their building, a fourplex, and were systematically evicting the tenants in order to raise the rent. They were goth slumlords. Two of their tenants had cleared out, but the family in the third unit was not moving. These tenants had nowhere to go. The husband was a diabetic and had just undergone a foot amputation. He was on crutches and insisted on driving himself to the hospital, and his leg got infected and had to be amputated higher up, at the knee. The wife worked cleaning houses, and had asthma and no sense of smell from the toxic products her employers forced her to use. They were poor people without documents, from Mexico, with three children. I knew all this because a few days before the goth neighbor was screaming my name with his hand in a bloody towel, the woman he was trying to evict asked if she could speak to me. I let her in. She sat on my couch and cried and told me about her family and their situation. She said the landlord was trying to evict her and her husband for being alcoholics. “We are Seventh-Day Adventists,” the woman said. “We do not drink.” I felt so bad for this woman that I looked up a tenants’ rights organization and helped her set up an appointment to speak to an advocate. She left and thanked me and I didn’t feel any better. Her husband was missing a leg. She had to live underneath these landlords who, she said, made unchristian sounds in the night.
love this
Betty and Doc had been arrested in Las Vegas. Sammy knew the stories but any new audience for Betty was worth a repeat. She told us through the vent about the Nevada jail where she was held before they extradited her back to California. She said the girls there—the gals there—all worked. Every female in the Las Vegas county jail had to count playing cards, put them in proper order to make decks for the casinos. They made her do it, she said, and her fingers got terribly chapped.
jesus
[...] The mechanic, older than I was by ten years, and with a stronger personality, turned out to be domineering and manipulative, a bit like Alain Delon is toward Marianne Faithfull. And unfortunately, like Faithfull’s character in the film, I was under his influence, even if my interest in bikes—after the Guzzi I moved to Japanese street machines—was entirely my own. The mechanic helped me put together a race-ready Kawasaki Ninja for a dangerous and illegal road race that he, too, was riding in. Participating in the race meant both meeting his standards of skill and courage and embarking on a journey alone. I wanted his approval, I guess, but I also wanted to be liberated from that dynamic. Even if it’s a man who sets a woman on a journey, for the duration of the journey, she’s kinetic and unfettered and alone.