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This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

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Showing results by Jhumpa Lahiri only

Now she’s saying that he’d never have suggested such a thing when they were first dating, when he was deeply in love with her.

“It’s a bad sign,” she says.

He replies drily, “You’re out of your mind, you don’t know what you’re saying.”

“You’re always going your own way these days. I don’t see how we can resolve this.”

After making this statement, she starts to cry. But he keeps walking slightly ahead of her. At the next intersection he stops and she catches up to him.

“Why were you so opposed to walking and enjoying this sunny day?”

“I’m wearing a new pair of shoes that I haven’t broken in yet.”

“Well, you could have told me that.”

“You could have asked.”

At that point I stop following them, having already heard too much.

yikes

—p.44 by Jhumpa Lahiri 3 years, 8 months ago

My beloved stationery store is in the heart of the city, in a beautiful old building built on the corner of two busy streets. I make a trip at the end of every year to buy my agenda, which happens to be my favorite purchase, and which has turned into a sort of rite, but apart from that I like to stop by nearly every week to pick up, who knows, a transparent folder, or sticky page markers, or a new eraser that has yet to wipe anything out. I poke through the colored notebooks and try out the inks of various pens on a piece of paper trampled by countless unknown signatures and urgent, agitated scribbles. I ask for spare paper for my printer at home and boxes to organize my life’s paper trail: letters, bills, jottings. Even when I don’t need anything in particular I stop in front of the window to admire the display, which always appears so festive, decked with backpacks, scissors, tacks, glue, Scotch tape, and piles of little notebooks, with and without lines on their pages. I’d like to fill them all up, even that unwelcoming accounts ledger. Even though I can’t draw, I’d like one of those sketchbooks, hand bound, with thick cream-colored paper.

this is kinda nice and makes me want to go to a stationary store

[also makes me think about the transient nature of these things, how meaning is only ascribed to these objects by the person who uses them, and fades away when that person does]

—p.117 by Jhumpa Lahiri 3 years, 8 months ago

My father’s beliefs were so rigid that once, when my parents came to visit me at Barnard, I suggested we walk down Fifth Avenue to look at the shopwindows and he refused. He was almost viscerally offended by the idea of frivolously spending money, and of accumulating wealth. To this day, almost everything he’s earned goes back to impoverished relatives and charities in India. Also, waste was a crime. My father had witnessed the Bengal famine of 1943, when the English starved Kolkata. Growing up, I’d be anxious about inviting my American friends to the house for my birthday parties, because my parents would always comment on all the unconsumed food they’d throw away. When I was a child, almost every purchase my parents made was deliberated over. We arrived in Kingston with a few suitcases, a couple of pots and pans. I don’t want to exaggerate, but there was a frugal, bare-bones quality to my upbringing, and a feeling that we were just passing through.

cool

—p.40 The Art of Fiction No. 262 (32) by Jhumpa Lahiri 1 month, 2 weeks ago

I’ve kept one for decades—it’s the font of all my writing. I recently taught a class on the diary at Barnard, where we read real ones by Pavese, Woolf, Sontag, André Gide, and Carolina Maria de Jesus, as well as work by Joyce, Ernaux, and others. These days people are more excited about digressive, almost unpresentable writing, the kind that exists in some private, intimate dimension, but for a long time, there was a sense of a literary hierarchy, with the novel at the top and any record of real-time experience, especially women’s experience, at the bottom—you know, “There she goes, pouring her heart out again.” That mode, which involves carving out a space in which no one is watching or listening, is how I’ve always operated. I remember that during an event for Interpreter of Maladies in London—this was before it won the Pulitzer, but it was a pretty big crowd—someone asked me, “Who do you write for?” And I stood on that stage, this incredibly green writer, and said, “I write for myself.” There was total silence.

lol

—p.61 The Art of Fiction No. 262 (32) by Jhumpa Lahiri 1 month, 2 weeks ago

Showing results by Jhumpa Lahiri only