The girl bit her lips. The man’s vulgarity was undeniable. For some time now she had been attempting (for her own sake) to whitewash him, but the crude raw material would shine through in spite of her. It had been possible for her to remain so long in the compartment only on the basis of one of two assumptions, both of them literary (a) that the man was a frustrated socialist, (b) that he was a frustrated man of sensibility, a kind of Sherwood Anderson character. But the man’s own personality kept popping up, perversely, like a jack-in-the-box, to confound these theories. The most one could say was that the man was frustrated. She had hoped to “give him back to himself,” but these fits of self-assertion on his part discouraged her by making her feel that there was nothing very good to give. She had, moreover, a suspicion that his lapses were deliberate, even malicious, that the man knew what she was about and why she was about it, and had made up his mind to thwart her. She felt a Take-me-as-I-am, an I’ll-drag-you-down-to-my-level challenge behind his last words. It was like the resistance of the patient to the psychoanalyst, of the worker to the Marxist: she was offering to release him from the chains of habit, and he was standing up and clanking those chains comfortably and impudently in her face. On the other hand, she knew, just as the analyst knows, just as the Marxist knows, that somewhere in his character there was the need of release and the humility that would accept aid—and there was, furthermore, a kindness and a general co-operativeness which would make him pretend to be a little better than he was, if that would help her to think better of herself.

Actually, she decided, it was the combination of provincialism and adventurousness that did the trick. This man was the frontier, though the American frontier had closed, she knew, forever, somewhere out in Oregon in her father’s day. Her father, when that door had shut, had remained on the inside. In his youth, as she had learned to her surprise, from some yellowed newspaper clippings her aunt had forgotten in an old bureau drawer, he had been some kind of wildcat radical, full of workmen’s compensation laws and state ownership of utilities; but he had long ago hardened into a corporation lawyer, Eastern style. She remembered how once she had challenged him with those clippings, thinking to shame him with the betrayal of ideals and how calmly he had retorted, “Things were different then.” “But you fought the railroads,” she had insisted. “And now you’re their lawyer.” “You had to fight the railroads in those days,” he had answered innocently, and her aunt had put in, with her ineffable plebeian sententiousness, “Your father always stands for what is right.” But she saw now that her father had honestly perceived no contradiction between the two sets of attitudes, which was the real proof that it was not he, so much as the times, that had changed.

“Oh!” said the girl, covering her face with her hands. “Oh! Oh!” For a moment she felt that she could not bear it, but as she heard the man laugh she made her own discomfiture comic and gave an extra groan or two that were purely theatrical. She raised her head and looked at him shamefaced, and then giggled. This vulgarity was more comforting to her than any assurances of love. If the seduction (or whatever it was) could be reduced to its lowest common denominator, could be seen in farcical terms, she could accept and even, wryly, enjoy it. The world of farce was a sort of moral underworld, a cheerful, well-lit hell where a Fall was only a prat-fall after all.

Moreover, this talk had about it the atmosphere of the locker room or the stag line, an atmosphere more bracing, more astringent than the air of Bohemia. The ten-dollar tips, the Bourbon for the conductor indicated competence and connoisseurship, which, while not of the highest order, did extend from food and drink and haberdashery all the way up to women. That was what had been missing in the men she had known in New York—the shrewd buyer’s eye, the swift, brutal appraisal. That was what you found in the country clubs and beach clubs and yacht clubs—but you never found it in the café of the Brevoort. The men she had known during these last four years had been, when you faced it, too easily pleased: her success had been gratifying but hollow. It was not difficult, after all, to be the prettiest girl at a party for the sharecroppers. At bottom, she was contemptuous of the men who had believed her perfect, for she knew that in a bathing suit at Southampton she would never have passed muster, and though she had never submitted herself to this cruel test, it lived in her mind as a threat to her. A copy of Vogue picked up at the beauty parlor, a lunch at a restaurant that was beyond her means, would suffice to remind her of her peril. And if she had felt safe with the different men who had been in love with her it was because—she saw it now—in one way or another they were all of them lame ducks. The handsome ones, like her fiancé, were good-for-nothing, the reliable ones, like her husband, were peculiar-looking, the well-to-do ones were short and wore lifts in their shoes or fat with glasses, the clever ones were alcoholic or slightly homosexual, the serious ones were foreigners or else wore beards or black shirts or were desperately poor and had no table manners. Somehow each of them was handicapped for American life and therefore humble in love. And was she too disqualified, did she really belong to this fraternity of cripples, or was she not a sound and normal woman who had been spending her life in self-imposed exile, a princess among the trolls?

[...] Her engagement had been a form of insurance, but the trouble was that it not only insured her against failure but also against success. Should she have been more courageous? She could not tell, even now. Perhaps she was a princess because her father was a real gentleman who lunched at his club and traveled by drawing room or compartment; but on the other hand, there was her aunt. She could not find out for herself; it would take a prince to tell her. This man now—surely he came from that heavenly world, that divine position at the center of things where choice is unlimited. And he had chosen her.

But that was all wrong. She had only to look at him to see that she had cheated again, had tried to get into the game with a deck of phony cards. For this man also was out of the running. He was too old. Sound as he was in every other respect, time had made a lame duck of him. If she had met him ten years before, would he have chosen her then?

All morning in the compartment he had been in a state of wild and happy excitement, full of projects for reform and renewal. He was not sure what ought to happen next; he only knew that everything must be different. In one breath, he would have the two of them playing golf together at Del Monte; in the next, he would imagine that he had given her up and was starting in again with Leonie on a new basis. Then he would see himself throwing everything overboard and going to live in sin in a villa in a little French town. But at that moment a wonderful technical innovation for the manufacture of steel would occur to him, and he would be anxious to get back to the office to put it through. He talked of giving his fortune to a pacifist organization in Washington, and five minutes later made up his mind to send little Frank, who showed signs of being a problem child, to a damn good military school. Perhaps he would enlarge his Gates Mills house; perhaps he would sell it and move to New York. He would take her to the theater and the best restaurants; they would go to museums and ride on bus tops. He would become a CIO organizer, or else he would give her a job in the personnel department of the steel company, and she could live in Cleveland with him and Leonie. But no, he would not do that, he would marry her, as he had said in the first place, or, if she would not marry him, he would keep her in an apartment in New York. Whatever happened she must not get off the train. He had come to regard her as a sort of rabbit’s foot that he must keep by him at any price.

If only she could convert him to something, if she could say, “Give up your business, go to Paris, become a Catholic, join the CIO, join the army, join the Socialist Party, go off to the war in Spain.” For a moment the notion engaged her. It would be wonderful, she thought, to be able to relate afterwards that she had sent a middle-aged businessman to die for the Republicans at the Alcazar. But almost at once she recognized that this was too much to hope for. The man back in the compartment was not equal to it; he was equal to a divorce, to a change of residence, at most to a change of business, but not to a change of heart. She sighed slightly, facing the truth about him. His gray flannel dressing-gown lay on a chair beside her. Very slowly, she wrapped herself in it; the touch of the material made gooseflesh rise. Something about this garment—the color, perhaps, or the unsuitable size—reminded her of the bathing suits one rents at a public swimming pool. She gritted her teeth and pulled open the door. She did not pause to look about but plunged down the corridor with lowered head; though she passed no one, it seemed to her that she was running the gantlet. The compartment, with its naked man and disordered bed, beckoned her on now, like a home.

There was to be no more love-making, she saw, and from the moment she felt sure of this, she began to be a little bit in love. The long day passed as if in slow motion, in desultory, lingering, tender talk. Dreamy confidences were murmured, and trailed off, casual and unemphatic, like the dialogue in a play by Chekhov. The great desert lake out the window disappeared and was replaced by the sagebrush country, which seemed to her a pleasant, melancholy symbol of the contemporary waste land. The man’s life lay before her; it was almost as if she could reach out and touch it, poke it, explore it, shine it up, and give it back to him. The people in it grew distinct to her, though they swam in a poetic ambience. She could see Eleanor, now an executive in her forties, good-looking, well-turned-out, the kind of woman that eats at Longchamps or the Algonquin; and then Leonie, finer-drawn, younger, with a certain Marie Laurencin look that pale, pretty, neutral-colored rich women get; then herself, still younger, still more highly organized—and all the time the man, a ludicrous and touching Ponce de Leon, growing helplessly older and coarser in inverse relation to the women he needed and wanted.

[...] But the greater part of his time he spent on trains, talking to his fellow-passengers, getting their life stories. (“Golly,” he interjected, “if I were a writer like you!”) This was one of his greatest pleasures, he said, and he would never go by plane if he could help it. In the three and a half days that it took a train to cross the continent, you could meet somebody who was a little bit different, and have a good long visit with them. Sometimes, also, he would stop over and look up old friends, but lately that had been disappointing—so many of them were old or on the wagon, suffering from ulcers or cirrhosis of the liver….

In a way, it was a kindness he did you, putting it like that. Other acquaintances made the opposite error, calling up to demand, “Are you free Thursday?” before disclosing whether they wanted you to picket a movie house, attend a lecture at the New School, buy tickets for a party for Spain, or go and dance at a new night club. Nevertheless, there was something too explicit about Pflaumen’s invitations that made you set down the telephone with a feeling of distaste, made you dress hurriedly, though carefully, for his parties, as if you were going to keep some shameful assignation, made you, stepping out of your door in the new clothes you had bought, look furtively up and down the street before starting for the subway. Pflaumen had taken the risks out of social life, that was the trouble; and you felt that it was wrong to enjoy an evening without having paid for it with some touch of uncertainty, some tiny fear of being bored or out of place. Moreover, behind those bland and humble telephone calls, there was an unpleasant assumption about your character. Plainly Pflaumen must believe that you went out at night not because you liked your friends and wanted to be with them, but because you were anxious to meet new people, celebrities, to enlarge your own rather tacky social circle. No doubt this was at least half true, since with your real friends you seemed to prefer those whose spheres of interest were larger rather than smaller than your own—or at any rate to see more of them, if you could—but in those cases you were able to be sure that you liked them for themselves. With Pflaumen, unfortunately, there was never any question of that. Yet every time you accepted one of his invitations you entered into a conspiracy with him to hide the fact that he was a foolish, dull man whom nobody had much use for. And though some of his friends—the rich ones, perhaps—could feel all right about sitting at his table (after all, they were doing him a favor), you poor ones knew that he had bought your complaisance with his wines and rich food and prominent acquaintances, and you half-hated him before your finger touched his doorbell.

After that, you had presented no more letters, but they kept coming in as relentlessly as bills, and there was Pflaumen’s voice on the telephone, patient at first, then hurt and puzzled, but always mysteriously complacent. Had you gone to see the man in the Squibb Building? No? Really, it was impossible to understand you. He had been under the impression that you wanted a job. You made explanations at first, halting and shamefaced (after all, you supposed, he was trying to help you). Finally, you had quarreled with him; but your rudeness had only added to your debt, and your air of bravado and Bohemian defiance had quickened his admiration. (Such indifference to the question of survival was impractical, of course, but somehow, he knew, in awfully good taste.) You were for him, you discovered, the perfect object of charity, poor but not bedraggled, independent, stubborn, frivolous, thankless, and proud. He could pity you, deplore you, denounce you, display you, be kind to you, be hurt by you, forgive you. He could, in fact, run through his whole stock of feelings with you. A more grateful beneficiary would have given him no exercise for his masochistic emotions; a more willing one would have left his sadism unsatisfied. He was not going to let you go if he could help it. You stood to him in the relation of Man to God, embraced in an eternal neurotic mystery compounded out of His infinite goodness and your guilt.