IN THE MORNING, Mathilde went whirring off on an eighty-mile bike ride. Lancelot undressed and looked at himself in the mirror. Oh, middle age, how awful. He was used to having to look for his lost beauty in his face, but not in his body that had been so tall and strong all his life. Now, though, the wrinkles in the skin of his scrotum, the swirl of gray in the chest hair, the fetal neck wattle. One chink in the armor and death seeps in. He turned this way and that until he found the angle that made him look the way he’d been before his impromptu flight down the stairs in the spring.

For dessert there was pumpkin pie. Bumblefuck Pie. An entire one that they split, Lancelot shoving more sweet in to clog up his sadness, the composer matching him bite for bite as if in thrall to a ferocious sense of justice. Lancelot took an intentionally enormous bite to watch the composer mirror him. The man looked like a snake with a rat in its gob. When Lancelot swallowed, he said, “I like you, Walt Whitman.”

And the composer, who had heard this at least, spat, “Oh, you think you’re so funny,” and stood and left the dishes and the crumby floor to Lancelot to clean.

“You contain multitudes,” Lancelot said to his beetled back.

“Who cares. She loved you. A good wife. Made your life beautiful, calm. Did the bills. You never worried about a thing.”

“We were married for twenty-three years, and she never told me she’d been a whore. Or an adulteress. Or both. Hard to tell. Pretty huge lie of omission.”

“Huge thing’s your ego. Awful that you weren’t the only man for her. Girl scrubs your toilets for twenty-three years, you begrudge her the life she had when you weren’t around.”

“But she lied,” he said.

“Please. Marriage is made of lies. Kind ones, mostly. Omissions. If you give voice to the things you think every day about your spouse, you’d crush them to paste. She never lied. Just never said.”

Her mother was a fishwife at the market in Nantes. She’d rise in the blue night and drive to the city and come home midmorning with her hands chapped and glittering with scales, cold to the bone from contact with ice. Her face was delicate, but she had no education. Her husband had wooed her with his leather jacket, his pompadour, his motorcycle. Small things to trade for a life, but at the time they had seemed powerful. Aurélie’s father was a stonemason, and his family had lived in the same house in Notre-Dame-des-Landes for twelve generations. Aurélie was conceived during the revolution of May 1968; though her parents were far from radical, there was so much excitement in the air that they didn’t know how to express themselves except animally. When it was impossible for the girl’s mother to hide her pregnancy, they were married with orange blossoms in her hair, a slice of coconut cake in the freezer.

She had a self she didn’t devote to him. For one thing, she wrote, and not just invisibly in his manuscripts, which he must have thought magically tidied themselves up in the night. She wrote her own things that she kept to herself: surreptitious, sharp objects part story, part poetry. Published under a pseudonym. She’d begun in despair when she was almost forty and he’d fallen and broken himself, and in the break, she felt him moving away from her.

There was the other thing, the far worse thing. During the same time she began to write, she left him. He was wrapped up in his work. She came back and he never knew she was gone.

“To tell you the truth, I wanted to meet you almost as much as I wanted to meet him,” Land said.

“Why?” she said. She was blushing. Flirting? It wasn’t impossible.

“You’re the untold story,” he said. “The mystery.”

“What mystery?” she said.

“The woman he chose to spend his life with,” Land said. “He’s easy to know. There are billions of interviews, and his plays come from him and give you a little window in. But you’re back in the shadows, hiding there. You’re the interesting one.”

It took a very long moment as they sat there on the porch, sweating in silence, for Mathilde to say to the boy, “I am not the interesting one.”

She knew she was the interesting one.

“You’re a bad liar,” he said.

“I like your necklace,” the girl whispered.

Mathilde put her hand up to her neck, touched it. It was gold, with a large emerald, which Ariel had given her last Christmas. The green was meant to go with her eyes; but her eyes were changeable. She took it off her neck and put it on Rachel’s. “It’s yours,” she said.

Later, she would think of this gift, so impulsive, the ten-thousand-dollar necklace to a little girl, and feel warmed by it, even during their decade in the underground apartment in Greenwich Village, even when Mathilde didn’t eat lunch so they could pay for phone service. It was cheap to buy a lifetime of friendship.

The little girl’s eyes went wide, and she took the emerald in her fist and nestled her head into Mathilde’s side.

“Oh, I know,” said Sallie. And Lotto beamed with pleasure, preening, eyes darting around to see which kind soul in the room could have sent along the champagne, the force of his delight such that wherever his eyes landed, the recipients of the gaze would look up out of their food and conversation, and a startled expression would come over their face, a flush, and nearly everyone began grinning back, so that, on this spangled early evening with the sun shining through the windows in gold streams and the treetops rustling in the wind and the streets full of congregating relieved people, Lotto sparked upwellings of inexplicable glee in dozens of chests, lightening the already buoyant mood of the room in one swift wave. Animal magnetism is real; it spreads through bodily convection. Even Ariel smiled back. The stunned grins stayed on the faces of some of the people, an expression of speculation growing, hoping he would look at them again or wondering who he was, because on this day and in this world, he was Someone.

“Hold my hand,” he said. She considered the hand but did not. He moved his head toward her. The flesh slid on the jaw.

She waited. She smiled at him. Buildings were sun-shocked in the corners of her eyes.

“Ah,” he said. A warmth moved into his face. The almost joke in it had returned. “She won’t be forced.”

“Correct,” she said. But she thought, Oh, you murderous girl, hello. I haven’t seen you for so long.

“Please,” he said. “Mathilde. Take the cold hand of a dying man.”

And then she took his hand and pressed it to her chest with both of hers and held it there. What didn’t need to be said stayed unspoken. He fell asleep and the nurse came out on angry tiptoes. Mathilde went into the apartment, sterile and tasteful, and didn’t linger at the pictures she once knew too well for the ferocity with which she stared at them, counting the minutes until she could leave. Later, she walked through the cold shadows and blaze of concentrated afternoon light that poured between the buildings, and she couldn’t stop; she could barely breathe; it felt too good to be on those coltish terrified legs once more, not to know, once more, where she was going.

“She’s the only one in the world,” he said sadly, “who hates me.”

What was this mania for universal adoration? Mathilde knew herself unworthy of the love of a single soul, and he wanted the love of everyone. She stifled a sigh. “Write another play, and she’ll come around,” she said, as she always did. And he wrote another one, as he always did.