Welcome to Bookmarker!

This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

60

A buzz. He’s at the station already.

Nearly there, I send back.

what the hell is the point of this lol. another metaphor for the whole social mobility thing? is she really nearly there? it's too timid/uninteresting a theme to merit this much metaphor

—p.60 by Natasha Brown 2 years, 3 months ago

A buzz. He’s at the station already.

Nearly there, I send back.

what the hell is the point of this lol. another metaphor for the whole social mobility thing? is she really nearly there? it's too timid/uninteresting a theme to merit this much metaphor

—p.60 by Natasha Brown 2 years, 3 months ago
83

New York Sunday night, London Saturday morning. You fly the round trip regularly for work. But the attendant stops you. At Heathrow, Sunday afternoon, the attendant lunges into your path before you can reach the business desk. Places a firm hand against your upper arm. The attendant’s fingers – who knows what else they’ve touched? – now press into the soft, grey wool of your coat. You look down at this hand on your body; at the flecks of dirt beneath its fingernails, the pale hairs sprouting from its clammy skin. And then its owner, the attendant, points and speaks loudly, as though you won’t understand, says: Regular check-in is over there.

The attendant won’t acknowledge your ticket, no, just waves you over to the long queue. It winds back and forth, penned in between ropes, all the way to the regular check-in desk. The attendant says: Yes, there’s your line, over there.

what the fuck lol. is she deliberately trying to write a highly unsympathetic character? are we supposed to feel sorry for her that she's not getting the privileges her profiteering employer pays for?

—p.83 by Natasha Brown 2 years, 3 months ago

New York Sunday night, London Saturday morning. You fly the round trip regularly for work. But the attendant stops you. At Heathrow, Sunday afternoon, the attendant lunges into your path before you can reach the business desk. Places a firm hand against your upper arm. The attendant’s fingers – who knows what else they’ve touched? – now press into the soft, grey wool of your coat. You look down at this hand on your body; at the flecks of dirt beneath its fingernails, the pale hairs sprouting from its clammy skin. And then its owner, the attendant, points and speaks loudly, as though you won’t understand, says: Regular check-in is over there.

The attendant won’t acknowledge your ticket, no, just waves you over to the long queue. It winds back and forth, penned in between ropes, all the way to the regular check-in desk. The attendant says: Yes, there’s your line, over there.

what the fuck lol. is she deliberately trying to write a highly unsympathetic character? are we supposed to feel sorry for her that she's not getting the privileges her profiteering employer pays for?

—p.83 by Natasha Brown 2 years, 3 months ago
101

He inches towards me, eyes soft-closed and lips squeezed into a kissy pout. He believes his words in this moment, I believe that. But his is the fleeting belief of a moment, and it will pass. As soon as new fancy strikes, the next adventure. I understand. It’s the impulse of a boy who himself understands, in his flesh and bones and blood and skin, that he was born to helm this great nation – upon which the sun has never set. Not yet. It’s bright, now. And the sky is impossibly blue. He’s himself again. Here. At home, and rendered in sharp contrast to me. But without this place, without that contrast –

what the fuck are you talking about

—p.101 by Natasha Brown 2 years, 3 months ago

He inches towards me, eyes soft-closed and lips squeezed into a kissy pout. He believes his words in this moment, I believe that. But his is the fleeting belief of a moment, and it will pass. As soon as new fancy strikes, the next adventure. I understand. It’s the impulse of a boy who himself understands, in his flesh and bones and blood and skin, that he was born to helm this great nation – upon which the sun has never set. Not yet. It’s bright, now. And the sky is impossibly blue. He’s himself again. Here. At home, and rendered in sharp contrast to me. But without this place, without that contrast –

what the fuck are you talking about

—p.101 by Natasha Brown 2 years, 3 months ago