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This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

xiii

She lived in so many places, experienced so much—it was enough to fill several lives. We have, most of us, known at least some part of what she went through: children in trouble, or early molestation, or a rapturous love affair, struggles with addiction, a difficult illness or disability, an unexpected bond with a sibling, or a tedious job, difficult fellow workers, a demanding boss, or a deceitful friend, not to speak of awe in the presence of the natural world—Hereford cattle knee deep in Indian paintbrush, a field of bluebonnets, a pink rocket flower growing in the alley behind a hospital. Because we have known some part of it, or something like it, we are right there with her as she takes us through it.

—p.xiii Foreword: "The Story Is the Thing" (ix) by Lydia Davis 1 year ago

She lived in so many places, experienced so much—it was enough to fill several lives. We have, most of us, known at least some part of what she went through: children in trouble, or early molestation, or a rapturous love affair, struggles with addiction, a difficult illness or disability, an unexpected bond with a sibling, or a tedious job, difficult fellow workers, a demanding boss, or a deceitful friend, not to speak of awe in the presence of the natural world—Hereford cattle knee deep in Indian paintbrush, a field of bluebonnets, a pink rocket flower growing in the alley behind a hospital. Because we have known some part of it, or something like it, we are right there with her as she takes us through it.

—p.xiii Foreword: "The Story Is the Thing" (ix) by Lydia Davis 1 year ago
3

Mrs. Armitage had been different, although she was old too. That was in New York at the San Juan Laundry on Fifteenth Street. Puerto Ricans. Suds overflowing onto the floor. I was a young mother then and washed diapers on Thursday mornings. She lived above me, in 4-C. One morning at the laundry she gave me a key and I took it. She said that if I didn’t see her on Thursdays it meant she was dead and would I please go find her body. That was a terrible thing to ask of someone; also then I had to do my laundry on Thursdays.
She died on a Monday and I never went back to the San Juan. The super found her. I don’t know how.

—p.3 Angel’s Laundromat (3) by Lucia Berlin 1 year ago

Mrs. Armitage had been different, although she was old too. That was in New York at the San Juan Laundry on Fifteenth Street. Puerto Ricans. Suds overflowing onto the floor. I was a young mother then and washed diapers on Thursday mornings. She lived above me, in 4-C. One morning at the laundry she gave me a key and I took it. She said that if I didn’t see her on Thursdays it meant she was dead and would I please go find her body. That was a terrible thing to ask of someone; also then I had to do my laundry on Thursdays.
She died on a Monday and I never went back to the San Juan. The super found her. I don’t know how.

—p.3 Angel’s Laundromat (3) by Lucia Berlin 1 year ago
32

Oh ho ho ho, Mrs. Robinson. He has over two thousand dollars’ worth of stereo equipment and five records. Simon and Garfunkel, Joni Mitchell, and three Beatles.

lmao

—p.32 A Manual for Cleaning Women (26) by Lucia Berlin 1 year ago

Oh ho ho ho, Mrs. Robinson. He has over two thousand dollars’ worth of stereo equipment and five records. Simon and Garfunkel, Joni Mitchell, and three Beatles.

lmao

—p.32 A Manual for Cleaning Women (26) by Lucia Berlin 1 year ago
32

One morning I heard him say to her, in the breakfast nook, “Let’s do something spontaneous today, take the kids to go fly a kite!”

My heart went out to him. Part of me wanted to rush in like the maid in the back of Saturday Evening Post. I make great kites, know good places in Tilden for wind. There is no wind in Montclair. The other part of me turned on the vacuum so I couldn’t hear her reply. It was pouring rain outside.

—p.32 A Manual for Cleaning Women (26) by Lucia Berlin 1 year ago

One morning I heard him say to her, in the breakfast nook, “Let’s do something spontaneous today, take the kids to go fly a kite!”

My heart went out to him. Part of me wanted to rush in like the maid in the back of Saturday Evening Post. I make great kites, know good places in Tilden for wind. There is no wind in Montclair. The other part of me turned on the vacuum so I couldn’t hear her reply. It was pouring rain outside.

—p.32 A Manual for Cleaning Women (26) by Lucia Berlin 1 year ago
49

“How come you hit me?” Tim asked softly.

I started to answer him, to say, “Because you were insolent and unkind,” but I saw his smile of contempt as he waited for me to say just that.

“I hit you because I was angry. About Dolores and the rock. Because I felt hurt and foolish.”

His dark eyes searched my face. For an instant the veil was gone.

“I guess we’re even then,” he said.

“Yes,” I said, “let’s go to class.”

I walked with Tim down the hall, avoiding the beat of his walk.

—p.49 El Tim (41) by Lucia Berlin 1 year ago

“How come you hit me?” Tim asked softly.

I started to answer him, to say, “Because you were insolent and unkind,” but I saw his smile of contempt as he waited for me to say just that.

“I hit you because I was angry. About Dolores and the rock. Because I felt hurt and foolish.”

His dark eyes searched my face. For an instant the veil was gone.

“I guess we’re even then,” he said.

“Yes,” I said, “let’s go to class.”

I walked with Tim down the hall, avoiding the beat of his walk.

—p.49 El Tim (41) by Lucia Berlin 1 year ago
52

Most writers use props and scenery from their own lives. For example, my Henrietta eats her meager little dinner every night on a blue place mat, using exquisite heavy Italian stainless cutlery. An odd detail, inconsistent, it may seem, with this woman who cuts out coupons for Brawny towels, but it engages the reader’s curiosity. At least I hope it will.

I don’t think I’ll give any explanation in the story. I myself eat with such elegant cutlery. Last year I ordered six place settings from the Museum of Modern Art Christmas catalog. Very expensive, a hundred dollars, but worth it, it seemed. I have six plates and six chairs. Maybe I’ll give a dinner party, I thought at the time. It turned out to be, however, a hundred for six pieces. Two forks, two knives, two spoons. One place setting. I was embarrassed to send them back, figured well maybe next year I’d order another one.

—p.52 Point of View (51) by Lucia Berlin 1 year ago

Most writers use props and scenery from their own lives. For example, my Henrietta eats her meager little dinner every night on a blue place mat, using exquisite heavy Italian stainless cutlery. An odd detail, inconsistent, it may seem, with this woman who cuts out coupons for Brawny towels, but it engages the reader’s curiosity. At least I hope it will.

I don’t think I’ll give any explanation in the story. I myself eat with such elegant cutlery. Last year I ordered six place settings from the Museum of Modern Art Christmas catalog. Very expensive, a hundred dollars, but worth it, it seemed. I have six plates and six chairs. Maybe I’ll give a dinner party, I thought at the time. It turned out to be, however, a hundred for six pieces. Two forks, two knives, two spoons. One place setting. I was embarrassed to send them back, figured well maybe next year I’d order another one.

—p.52 Point of View (51) by Lucia Berlin 1 year ago
65

[...] I’d feed him Jell-O and listen to John read from Deuteronomy. I’ve never understood how so many barely literate people read the Bible so much. It’s hard. In the same way it surprises me that uneducated seamstresses all over the world can figure out how to put in sleeves and zippers.

—p.65 Phantom Pain (61) by Lucia Berlin 1 year ago

[...] I’d feed him Jell-O and listen to John read from Deuteronomy. I’ve never understood how so many barely literate people read the Bible so much. It’s hard. In the same way it surprises me that uneducated seamstresses all over the world can figure out how to put in sleeves and zippers.

—p.65 Phantom Pain (61) by Lucia Berlin 1 year ago
162

When she was gone Rickie Evers dropped his gold cigarette lighter on the floor and when he reached down for it he ran his hand up my leg, stroked the inside of my knee.

I took a bite of the Baked Alaska and said I wondered how they ever managed to do it. He picked his lighter up and told me I had Baked Alaska on my chin. When he wiped it with the big linen napkin his arm brushed my breast. I was embarrassed, I still didn’t even wear a training bra.

Bella Lynn came back from the powder room sauntering in her crooked seams, pretending not to notice all the men staring at her. The whole dining room had been staring at Bella Lynn and Rickie Evers throughout the meal. I think the Mexican busboy saw what Evers did when he dropped his lighter.

men are DOGS

—p.162 Sex Appeal (159) by Lucia Berlin 1 year ago

When she was gone Rickie Evers dropped his gold cigarette lighter on the floor and when he reached down for it he ran his hand up my leg, stroked the inside of my knee.

I took a bite of the Baked Alaska and said I wondered how they ever managed to do it. He picked his lighter up and told me I had Baked Alaska on my chin. When he wiped it with the big linen napkin his arm brushed my breast. I was embarrassed, I still didn’t even wear a training bra.

Bella Lynn came back from the powder room sauntering in her crooked seams, pretending not to notice all the men staring at her. The whole dining room had been staring at Bella Lynn and Rickie Evers throughout the meal. I think the Mexican busboy saw what Evers did when he dropped his lighter.

men are DOGS

—p.162 Sex Appeal (159) by Lucia Berlin 1 year ago
174

The moon. There’s no other moon like one on a clear New Mexico night. It rises over the Sandias and soothes the miles and miles of barren desert with all the quiet whiteness of a first snow. Moonlight in Liza’s yellow eyes and the chinaberry tree.

The world just goes along. Nothing much matters, you know? I mean really matters. But then sometimes, just for a second, you get this grace, this belief that it does matter, a whole lot.

—p.174 Strays (170) by Lucia Berlin 1 year ago

The moon. There’s no other moon like one on a clear New Mexico night. It rises over the Sandias and soothes the miles and miles of barren desert with all the quiet whiteness of a first snow. Moonlight in Liza’s yellow eyes and the chinaberry tree.

The world just goes along. Nothing much matters, you know? I mean really matters. But then sometimes, just for a second, you get this grace, this belief that it does matter, a whole lot.

—p.174 Strays (170) by Lucia Berlin 1 year ago
189

They smiled at each other. The years were erased, their communication still there. She had once said wryly that he had been perfect. He couldn’t read or write and most of their romance was underwater, where there were no words. There had never been any need for explanations.

—p.189 Grief (179) by Lucia Berlin 1 year ago

They smiled at each other. The years were erased, their communication still there. She had once said wryly that he had been perfect. He couldn’t read or write and most of their romance was underwater, where there were no words. There had never been any need for explanations.

—p.189 Grief (179) by Lucia Berlin 1 year ago