Bookmarker is a personal project by @dellsystem to help with retaining reading material. Source on GitHub.
260

Literary Lion (1980–2007)

0
terms
2
notes

Curtis, C. (2021). Literary Lion (1980–2007). In Curtis, C. A Splendid Intelligence: The Life of Elizabeth Hardwick. W. W. Norton & Company, pp. 260-399

277

Elizabeth’s talk on this occasion was about reading and readers—specifically, “the readers a writer has in mind when he writes.”68 Many of her observations are still timely. She distinguished between readers who understood the difference between “the wish to write a book, which every citizen seems to have, and the wish to make a contribution to literature.” She noted that, although reading appears to be passive, it is actually “violently active” because of the imaginative work involved “to create in [the reader’s] own mind a sort of moving pageant of action . . . and emotion.” She rued the fact that the time-saving aspects of modern life did not result in an accumulation of time for reading; on the contrary, “people with time on their hands are an object of pity.” Information overload was to blame for novels that no longer served to inform readers about life in other places and other times. The current vogue for first-person fiction seemed to be based on the premise that the author was unable to say “anything new about the larger world.”

love her

—p.277 by Cathy Curtis 4 months ago

Elizabeth’s talk on this occasion was about reading and readers—specifically, “the readers a writer has in mind when he writes.”68 Many of her observations are still timely. She distinguished between readers who understood the difference between “the wish to write a book, which every citizen seems to have, and the wish to make a contribution to literature.” She noted that, although reading appears to be passive, it is actually “violently active” because of the imaginative work involved “to create in [the reader’s] own mind a sort of moving pageant of action . . . and emotion.” She rued the fact that the time-saving aspects of modern life did not result in an accumulation of time for reading; on the contrary, “people with time on their hands are an object of pity.” Information overload was to blame for novels that no longer served to inform readers about life in other places and other times. The current vogue for first-person fiction seemed to be based on the premise that the author was unable to say “anything new about the larger world.”

love her

—p.277 by Cathy Curtis 4 months ago
306

Elizabeth was the last survivor of her circle of women who were notable twentieth-century cultural critics, including Mary McCarthy, Susan Sontag (who had died in 2004), and Hannah Arendt (1975). At her memorial service, Derek Walcott’s remarks—read by Hilton Als—described Elizabeth’s merry side. She was, he said, “more fun than any American writer I have known. She preferred gaiety to malice and had the laugh to go with it.”164 Joan Didion said, “every line she wrote suggested that moral courage required trusting one’s own experience in the world, one’s own intuitions about how it worked.” She had “a way of putting words together that could make the most subtle connection seem at once thrilling and matter-of-fact. . . . She never took for granted what is often presented as a given.” Elizabeth’s former student Darryl Pinckney recalled how she told the class that “there are really only two reasons to write: desperation or revenge” and that “the only way to learn to write is to read.”165 The December 16 memorial, held at the Lincoln Center Library for the Performing Arts, was an intimate affair befitting Elizabeth’s under-the-radar existence at the time of her death. After the service, a group of her friends gathered for dinner at Café des Artistes in her building to celebrate her long and extraordinary life.166

—p.306 by Cathy Curtis 4 months ago

Elizabeth was the last survivor of her circle of women who were notable twentieth-century cultural critics, including Mary McCarthy, Susan Sontag (who had died in 2004), and Hannah Arendt (1975). At her memorial service, Derek Walcott’s remarks—read by Hilton Als—described Elizabeth’s merry side. She was, he said, “more fun than any American writer I have known. She preferred gaiety to malice and had the laugh to go with it.”164 Joan Didion said, “every line she wrote suggested that moral courage required trusting one’s own experience in the world, one’s own intuitions about how it worked.” She had “a way of putting words together that could make the most subtle connection seem at once thrilling and matter-of-fact. . . . She never took for granted what is often presented as a given.” Elizabeth’s former student Darryl Pinckney recalled how she told the class that “there are really only two reasons to write: desperation or revenge” and that “the only way to learn to write is to read.”165 The December 16 memorial, held at the Lincoln Center Library for the Performing Arts, was an intimate affair befitting Elizabeth’s under-the-radar existence at the time of her death. After the service, a group of her friends gathered for dinner at Café des Artistes in her building to celebrate her long and extraordinary life.166

—p.306 by Cathy Curtis 4 months ago