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Showing results by Natalia Ginzburg only

[...] Emanuele had now come downstairs, and he was all red and sweaty because he had been asleep, they had no idea of the life that he led in Rome, he said, he spent his nights at the newspaper and during the day he had all kinds of meetings and never could he spend an afternoon sleeping, In order to sleep he had to come home. But in a short time he would be giving up the newspaper and leaving Rome for good, because he did not know how to produce newspapers. He could produce secret newspapers but not newspapers that were not secret, producing secret newspapers was easy, oh, how easy and how splendid it was. But newspapers that had to come out every day with the rising of the sun, without any danger or fear, that was another story. You had to sit and grind away at a desk, without either danger or fear, and out came a lot of ignoble words and you knew perfectly well that they were ignoble and you hated yourself like hell for having written them but you didn’t cross them out because there was a hurry to get out the newspaper for which people were waiting. But it was incredible how fear and danger never produced ignoble words but always true ones, words that were torn from your very heart. [...]

—p.416 All Our Yesterdays (1) by Natalia Ginzburg 11 months, 1 week ago

[...] And they laughed a little and were very friendly together, the three of them, Anna, Emanuele and Giustino; and they were pleased to be together, the three of them, thinking of all those who were dead, and of the long war and the sorrow and noise and confusion, and of the long, difficult life which they saw in front of them now, full of all the things they did not know how to do.

—p.418 All Our Yesterdays (1) by Natalia Ginzburg 11 months, 1 week ago

On one side there was Gino and Rasetti, the mountains, the “black schists,” the crystals, the insects; on the other was Mario, my sister Paola, and the Ternis who detested the mountains and loved stuffy rooms with the windows closed, dimmed lights, and cafés. This latter group loved the paintings of Casorati, the theater of Pirandello, the poetry of Verlaine, Gallimard editions, Proust. They were two incommunicable worlds.

I didn’t know yet which side I would choose. They both attracted me. I hadn’t yet decided if, in my life, I wanted to study beetles, chemistry, or botany, or if, instead, I would paint pictures or write novels. In Rasetti’s and Gino’s world everything was clear, everything would unfold beneath the light of the sun, everything was plausible and without mysteries or secrets. The discussions, on the other hand, that Terni, Paola, and Mario had while sitting on the couch in the living room were tinged with mystery and obscurity, arousing in me a combination of fear and fascination.

love this

—p.51 Family Lexicon (5) by Natalia Ginzburg 1 year, 8 months ago

“I’m bored!” my mother said. “I have nothing to do anymore, there’s nothing more for me to do in this place. Everyone has left. I’m bored!”

“You’re bored,” my father responded, “because you have no inner life.”

lmao

—p.76 Family Lexicon (5) by Natalia Ginzburg 1 year, 8 months ago

“He is someone,” my mother said, “who is very sophisticated, intelligent, translates from Russian, and does beautiful translations.”

“But,” my father said, “he is very ugly. Jews are notoriously ugly.”

“And you?” said my mother. “You’re not Jewish?”

“I am, in fact, ugly too,” my father said.

lmao

—p.84 Family Lexicon (5) by Natalia Ginzburg 1 year, 8 months ago