What were these six weeks about? What were we waiting for? Were we hoping for something? We seemed to be living in silence. My husband had brought books to read: he had perfect pitch as far as language was concerned and, like a great musician, could tell the false note from the true. He was like Lázár in this respect. We’d sit on the balcony at twilight and I’d read to him: French poems, English novels, heavy German prose. And Goethe and some scenes from Hauptmann’s Florian Geyer. He loved that play. He had seen it on stage once, in Berlin, and had never forgotten it. He also loved Büchner’s Danton’s Death. And Hamlet, and Richard III. I was obliged to read him verses by the great Hungarian poet János Arany, from his late Autumn Crocuses cycle. Then we’d dress, have supper in one of the best restaurants, drink sweet Italian wine and eat sea crab.

In some ways we were living like nouveaux riches, like people who want to make up for everything they have ever lacked, to enjoy it all, and all at once. People that listen to Beethoven while chewing on a capon and slurping French Champagne in time to the music. But it was also like saying good-bye to something. Those years, the last years before the war, were drenched in this peculiar atmosphere. It was like saying good-bye without quite knowing it. My husband said precisely that: something about Europe. I said nothing. It was not Europe I was leaving. Can we, just the two of us, as women, own up to the fact that, concepts such as “Europe” have little to do with us? What I knew deep in my heart was that I lacked the strength to cut myself off from something more important. I was almost choking with helplessness.