Powerful narratives do not give us static pictures of life; they are not true or accurate in any one-to-one mapping of the world. What they do, at their most imaginatively incisive, is foreground aspects of reality that go unnoticed, that are so familiar that we overlook them. More politically, they "redistribute the perceptible" as Jacques Ranciere says, bringing to light what is hidden in full view. They dislocate a sense of what is just "natural," unchangeable. In this way, they provide a dissensus, a dismantling of the consensual way of ordering how we perceive the world and how we evaluate it. [...]