After that came a sitting-room, with a round table, sofa and armchairs upholstered in a bright blue material. A large photograph of Father Andrey, in priest’s hat and wearing decorations, hung over the sofa. Then they entered the dining-room, with its sideboard, and then the bedroom. Here in the half-light, two beds stood side by side, giving the impression that the room had been furnished with the intention that everything there would always be perfect and could never be otherwise. Andrey Andreich led Nadya through the whole house, keeping his arm around her waist all the time. But she felt weak and guilty, hating all those rooms, beds and armchairs, and nauseated by that naked lady. Now she clearly understood that she no longer loved Andrey Andreich and that perhaps she never had. But how could she put it into words, whom could she tell and what good would it do? This was something she did not and could not understand, although she had thought about it for days and nights on end. He was holding her round the waist, talking to her so affectionately, so modestly – he was happy walking around his new house. But all she saw was vulgarity, stupid, fatuous, intolerable vulgarity, and that arm round her waist seemed as hard and cold as an iron hoop. Every minute she was on the verge of running away, sobbing, throwing herself out of the window. Andrey Andreich led her to the bathroom, where he placed his hand on a tap set in the wall – and suddenly water flowed.