In my apartment, I stare through a professional jeweler’s loupe at the single remaining frame of Ingo’s film. I believe I have come upon a brilliant and feasible restoration technique. Using a method of my own devising, based on my understanding of the block universe theory and my vast knowledge of film history, I should be able to study this frame and with great precision predict the frame that follows it as well as the one that precedes it. By simply repeating this process 186,624,999 times, I should end up with a complete reconstruction of the film. It will be painstaking, of course. It will likely kill me, but it is essential.