Welcome to Bookmarker!

This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

I rose above his arrogance. I would not play his game. He told me he was a filmmaker of sorts. It is all I could do to not laugh in his unformed face. I do not mean to brag but I can detect an artist on sight. It is my version of gaydar (which I also have). Artdar. This is not based on physical appearance. Both a Sam Shepard and a Charles Bukowski are equally conspicuous to me. It is in the eyes, or, in those rare instances where they have no eyes, it is in their fingertips. This is the case with blind filmmaker Kertes Onegin, who astonishingly acts as his own cinematographer (he does employ a focus puller, but she is also blind). His technique of “feeling the scene” as the actors perform (his films are all in extreme close-up and include his hand in every shot) creates an intimacy unlike any I have ever before seen in any film, and it has made him a target of the #MeToo movement (blind edition). Onegin’s movie снова нашел (Found Again), which explores a rekindled romance between two pensioners separated for forty years, is arguably the most erotic film ever made. That the bodies making love are old and that there is a fifth hand delicately describing the contours of these bodies adds in exponential measure to the experience of the filmgoer. I conducted extensive interviews with Onegin for my monograph Onegin’s Feelies. During our conversations, he required we sit within touching distance and would caress my face throughout, sometimes sticking his fingers in my mouth “to see how wet.” I remember thinking, this is the most true conversation I’ve ever had and also the least true and also again the most true. I will admit there was even an erotic component to it, and although I am not a homosexual by inclination, I did submit to this eyeless genius, this typhlotic Rembrandt late one evening after too much retsina. I do not regret this, for how can one regret true communion? Ingo had none of this to offer. Not in his soft, soggy eyes, like old grapes, not in his pruny, sausage-shaped fingers, like old plums. You are no Onegin! I screamed in my head. You are not my dear, dear Kertes! as I waited for that inevitable question:

amazing

—p.116 by Charlie Kaufman 1 year, 2 months ago