By the mid-1970s Farber knew what he wanted from audiences. He wanted them to be Farber. “The audience,” he said, “should be fantastically dialectical, involved in a continuing discussion of every movie.” He wanted the same from filmmakers: “The person making the movie should be held responsible for everything that’s said and shown, and so should the audience seeing it.” If this seems a long way from the pure pleasure Kael-ite critics accuse him of deriving from “underground” movies by directors like Hawks, Walsh, or Aldrich, it’s not. It’s just that Farber feels those directors were aware of a certain kind of responsibility. Ours is a cinematic age of auteurism without responsibility. Every film is A Film By and no director is ever held accountable for making bad movies and no audience is ever ridiculed for liking them. Farber’s direction for audiences and filmmakers makes more sense than ever, even as it becomes less possible for working film critics and film directors to follow it.