For ten years I’d been dutiful and hardworking, cranking out those big-time Hollywood screenplays in order to bankroll a lifestyle that broke the silly-meter. Now it was like, Bring on the degradation! Let’s break through the bullshit and get real! I wished I’d brought another bottle of wine, to help lower me back into the bohemian hopes I’d had at twenty-five—literature and pussy. Baudelaire and women that stank like Gruyère! I’d never really wanted to write screenplays. I’d wanted to be a poet. And here I was, in poetry central. There were candles on the shelves, on the floor, fat and thin candles, tall and short, red and green and all the gradients of soft pastel, scented with the sweet and cloying flavors of guava, pomegranate, mango. Everything here was luxe, calme, and volupté, all right. In his Tahitian diary Gauguin wrote, “Life being what it is, we dream of revenge,” a phrase whose ruthlessness used to be right up my alley. But what kind of revenge did I need when last year I’d managed to enjoy three summers, two springs, and four falls—one in Moscow, another in Florence, two more in Cairo and Burma? I was a touch manic, and after I walked off the set of my last movie, winter just didn’t make it onto the itinerary. I was like a god, laughing at the weather. Who needed Gauguin and his gaudy painted paradise? For me, now, the most extreme, remote, Polynesian corner of the globe was inside the ballerina’s skull.