After a month on the p-ward you don’t get telegrams or get-well cards or stuffed animals anymore, and the petals fall off your flowers and curl like dead skin on the dresser top while the stems go soft and rot in their vases. That’s a bad stretch, that Sargasso in the psych ward when the last winds of your old life die out. In the real world I was still legally married—my wife was a film producer, but she’d left me for a more glamorous opportunity, the star of our most recent movie. The script I’d written was somewhat autobiographical and the character he played was modelled after my dead father. So now my wife was banging Dad’s doppelgänger and I hadn’t talked to her in I don’t know how long. In between therapy sessions and the administration of the usual battery of tests (Thematic Apperception, Rorschach, M.M.P.I.), as well as blood-draws and vitals, I sat on the sofa in the lounge, hoping for a certain zazen zeroness—serene and stupid—but mostly getting hung up on cravings for tobacco. One night after dinner I sat on the sofa and moved my finger to different locations around my head—below the ear, right in the ear, above the eyeball, against the roof of my mouth—experimenting with places to put the gun. I tried filling the dreary hours with poetry—my first love—but I’d been a script doctor too long. I hadn’t futzed with an iamb in ages, and the words just dog-paddled around the page, senselessly. I was desperate enough for a nicotine high to harvest some of the more smokable butts out of the Folgers coffee cans the staff filled with kitty litter and set out on the patio. The pickings were slim, though; in the p-ward people tend to smoke their cigarettes ravenously. You look around, and everybody’s got burnt, scabby fingers just like the Devil.