But now try to recall the last time you saw the "hero" die within his drama's narrative frame. [...] The natural consequences is that today's dramatic heroes tend to be "immortal" within the frame that makes them heroes and objects of identification [...] I claim that the fact that we are strongly encouraged to identify with characters for whom death is not a significant creative possibility has real costs. We the audience, and individual you over there and me right here, lose any sense of eschatology, thus of teleology, and live in a moment that is, paradoxically, both emptied of intrinsic meaning or end and quite literally eternal. If we're the only animals who know in advance we're going to die, we're also probably the only animals who would submit so cheerfully to the sustained denial of this undeniable and very important truth. The danger is that, as entertainment's denials of the truth get even more effective and pervasive and seductive, we will eventually forget what they're denials of. This is scary. Because it seems transparent to me that, if we forget how to die, we're going to forget how to live.