Welcome to Bookmarker!

This is a personal project by @dellsystem. I built this to help me retain information from the books I'm reading.

Source code on GitHub (MIT license).

This is why the case against #MeToo rested, ironically, on charges of disproportionate response. Calm your tits, its critics said. Most men aren’t monsters. Most things aren’t rape. Of course, the thing about moral panics is that it takes one to know one. Women are panicking, they said, panicking. But it’s genuinely worth considering whether panic is the only form of publicness available to the airing of sexual grief. Sexual harm is constituted by the impossibility of its being proven. Outside of statutory provisions around age, consent is basically immaterial. Rape and its cousins are ultimately determined not by the presence of physical violence but by the victim’s mental state. Of the latter there can never be direct proof, only secondary indicators. Sexual assault is therefore, by definition, all in your head. Hence the slogan “Yes means yes,” a spell for conjuring a world where people always say what they mean and mean what they say. But usually, they don’t — and usually, they can’t, since people are rarely any more transparent to themselves than they are to others. Events are not self-narrating. Violence is rarely realistic. You’re expecting a break, but instead you get weird, curved continuity. Someone missed their cue. That can’t be the line. What did he just say? Where are we going? Did I ask for this? No one calls cut. No one checks the gate. Not knowing what happened becomes part of what happened.

It is impossible to have a proportionate response to something that never, strictly speaking, occurred. That’s why the beautiful risk run by all the public blacklists, unchecked facts, and internet yelling that coalesced alongside the due-diligence journalism like #MeToo’s evil Twitter twin was its wholesale refusal to play ball with believability’s evidentiary regime. No smoking guns, no blue dresses. Saying so would be proof enough. This was breathtaking, the way the open maw of deep space is breathtaking: nothing, catching fire. Nuance exists, obviously. We’re big girls. Women hoard subtlety in a world where belief is something you have to save up to buy. This is a secret of femininity: paying careful attention to the world’s complexity can mean letting it walk all over you. But to admit this was to concede too much. We deserved some recklessness. It can look like violence when women afford themselves the luxury of generalization.

—p.12 Bad TV (7) by Andrea Long Chu 4 years, 11 months ago